Anger has been a really big deal for women: how can we express it without feeling that, as the physically weaker sex, we won't get killed. The alpha-woman was burned at the stake and had her head chopped off in days of old.
My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.
Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.
My father was my hero, and he died when I was 11. So, I really never experienced the kind of natural teenage rebellion or the anger at him. I never experienced those feelings as a young person.
I started writing because there's an absence of things I was familiar with or that I dreamed about. One of my senses of anger is related to this vacancy - a yearning I had as a teenager... and when I get ready to write, I think I'm trying to fill tha...
It's interesting when you're in your thirties and you're not the same pretty boy that you were when you were 21. I think people's anger at themselves getting older is projected on to you because you become a symbol of that.
I don't think I could play a character that I couldn't relate to somehow. I'm not unfamiliar with frustration, anger, shame, helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration, that sense of unf...
We don't get the greatest tools to deal with anger. It's like, 'Hey, count to 10.' When someone really upsets me, how do I respond? I don't usually start counting to 10 and breathing deeply.
Jazz is known all over the world as an American musical art form and that's it. No America, no jazz. I've seen people try to connect it to other countries, for instance to Africa, but it doesn't have a damn thing to do with Africa.
If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured.
Whatever is about you that is translated into your art, that's gonna keep you completly original and fresh and I just think that, that's just the best advice I can give, to an artist creatively.
We probably put about four or five comic books out a year and probably about two or three art books and various trade paperbacks - maybe four or five of those a year - and that's what we do now.
I'll have periods when I write and periods when I don't. But you don't want it to become a discipline, really. If it becomes a discipline, it becomes a chore, and that's no good. To make art you need to be inspired.
But back to your question, it was a wonderful experience with the Art Ensemble, and I keep in contact and sort of follow what's going on, but it was also very important to make this step, you may say this leap of faith.
I recently read that it's the left brain that does all that calculating, and the right brain that does the poetry. Somehow I've veered way towards the left. I've been doing it for years. Maybe I do art to balance it out.
I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
It all has to do with art - writing, painting, things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they're always poems first.
I think the key to great art and great artists is to just fully be yourself and not be scared of that, and be the extremes of your personality. Show the extremes of your personality and embrace the imperfections. Embrace the things about yourself tha...
People assume that a lot of pop artists don't write their songs. That, for me, is super frustrating because I think it detracts from some of the art and some of the craft of what we do. I'm at the helm of it, and I think that is what people don't see...
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialog...
What happens when an art form becomes ambiguous, I think, is that the standards are lowered. You can say anything is jazz. So I think it's important to reflect on what made jazz so special.
