Hi, I'm Jeff Healy of the Jeff Healy band. Don't drink and drive. I don't... you're blind!
For a young band about to make a record, make sure you get the vocals right.
I've been through this fame thing before, when the band was big in '80, '81.
I can't believe we've got away with becoming this huge band. And we still haven't done anything I think is that good yet.
The Who is one of my favorite bands of all time. 'The Who Sell Out' is one of the greatest art-project albums of all time.
The Millennium Stadium thing was for the Tsunami concert. It was a thing that I think every band in the country would have liked to be a part of at the time that it happened.
But there's actually a lot of punk bands out there that go out of the norm, use odd time signatures, or a lot of different tempo changes in a song.
There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.
Most bands have a two-year success rate. By the third year, it's sort of over. Here we are in Poison still together 26 years later.
I was very inspired by my mother. She was a vocal teacher and sang in a band, and my first memories of her were going out with her on the local circuit.
Usually bands with violins - it's this little, poorly amplified looking kind of futile on stage, and that's not the way that my music is put together.
When you don't know what the band looks like, it puts the emphasis on thinking and taking the music and message more seriously.
Radio and TV can still push a band, but things need to be shaken up. There is the Internet, but mostly what I see there is little kids on YouTube playing music.
Don't believe bands who say it's all about the fans and they want to give their music away for free. The result is they will continue to live in their mother's basement.
The patterns of big-band music are smooth and classical. It's got to be fresh. The brass section should crackle, like the sound of eggs being dropped into hot grease.
I think that the jazzy approach that I have is based on the way that I hear music and in the way I play a supporting role to the other people in the band.
The bands you like and know that are French are always outsiders in the French music industry - Daft Punk, Air.
Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not.
Being in a rock n' roll band was like being in a Sherman tank. Nothing got to you. You were surrounded and protected by men.
I'm not a figurehead for anything. I was a single mom with two kids. What else was I going to do? It was either be in a band or be a waitress.
