Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individual...
Scientific theories never dictate human values, but they can often cast new light on ethical issues. From a sexual selection viewpoint, moral philosophy and political theory have mostly been attempts to shift male human sexual competitiveness from ph...
We're the expendable half of the species, ladies. We're designed to take down the bad guys, to save the children. We're your weapons, your attack dogs. We're ready to i.e. taking down the threats against you. There isn't much call for this in the twe...
How do you... we... you know, pollinate?" "The male produces pollen on his hands and when two faeries decide to pollinate, the male reaches into the female's blossom and lets the pollen mix. It's a somewhat delicate process." "Doesn't sound very roma...
Nobody knows what the whales may have to click and clack about, but it could be a form of voting-time to stop here and synchronously dive down in search of deep water squid, now time to resurface, move on, dive again. Clans also seem to caucus on whi...
I read things that male relationship experts write about women and I read things that female relationship experts write about men, then I feel a true sadness in my heart. Why can’t there be a simple, pure, direct openness? Why can’t there be a si...
[first lines] Physician: If you have a fever and cough or a sore throat, stay home. Man on TV: I'd say 95% chance of this is manufactured. Came out of a laboratory. Female Reporter: The source of the virus was traced back to drug test done at Gen-Sys...
I'm a director's actor; I'm a storyteller's actor.
The actors I admire are character actors.
I had two ambitions: One was to be in The Actors Studio, and the other was to walk into a bar where actors hung out, and everyone would know that I was a professional actor and I would be accepted.
I don't want to be a star. If you have to label me anything, I'm an actor - I guess. A journeyman actor. I think 'star' is what you call actors who can't act.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
You can have good writing, but a great actor will make it feel and sound like great writing. You can have great writing, and mediocre actors will make it feel mediocre. Without the actors, you have nothing.
If people perceive you as a good actor then they'll wish for you to be a good actor and they'll root for you when they watch you, but if you come out and you're going to clubs every night people don't root for you anymore.
I actually grew up hearing this a lot: 'If you're an actor, you can only be an actor, and you have to just do that.' But in order to be a good actor, you have to draw on life experiences. To only concentrate on acting, you're cutting yourself off.
What I hope is that I don't just become 'Peter from 'The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.
I think of myself as a character actor, compared to a straight actor. I know a character actor in England is pretty much the same as in the States; you're actually hired to put on terrible teeth and stuff like that.
If there's anything I'd hate as a son-in-law, it's an actor; and if there's anything I think I'd hate worse than an actor as a son-in-law, it's an English actor.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost ...
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
