Commander Anderson: Make no mistake, gentlemen. We are in the fight of our lives, against one of the greatest battalion commanders of the Vietnam War, I shit you not.
The main thing in measuring integrity is someone's motive and intent, not how many records they sell. Our intent in Ministry was never to be big. We just wanted to make enough money to live and to buy a studio, which we have done in Austin.
A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.
You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such...
We all should be proud of the United States. For those of us that came from the Dominican, we've been able to come here, work, make money and become somebody in our lives. We've gotten a huge opportunity from the U.S.
I don't even really know what it is I do for a living - the level of insecurity is very, very high. You're making a lot of money, getting a lot of accolades and positive criticism for something where you don't even know what you're doing.
And if we are honest we have to make a distinction between a democratic Israel that wants to live in peace and the terrorists who want Israel wiped out. The Israelis were told to give up land for peace; they gave up the land, but got no peace.
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.
I'd been in Hollywood for five years before I started writing 'The Guild.' I worked enough to pay all my bills. So I was very lucky in that respect. Most people don't make a living acting.
I decry the current tendency to seek patents on algorithms. There are better ways to earn a living than to prevent other people from making use of one's contributions to computer science.
With success came an ever-growing burden of responsibility. I lived with a near-constant low-level anxiety that I would make a mistake that would not only threaten my career, but also my brothers' - not to mention the livelihoods of many people who w...
In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way.
To make a living from doing something I love is fantastic. As long as people want to listen to me, I'll keep doing it. In fact, to tell you the truth, even if no one did want to listen to me, I'd still be doing it!
I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have i...
I have a company in New York City producing music for commercials, for radio, TV, features, etc. That's how I've been making my living. And now the company is very successful - to the extent that I can afford to come out and play.
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
Videos come definitely after the music has been created, but I have always felt, and especially today, that videos are vital in the album process. I think that we live in a very visual era, and if you make a mistake with a video, those images will ac...
These men both publicly and privately have done so much for me. Without Nathan Lane and Matthew Broderick I would be living in a little motel just around the corner here, trying to make ends meet.
One of the greatest compliments you can ever get is when you make fun of a certain sect of people and they are laughing the hardest. When we did 'Men on Film' on 'In Living Color,' gay men wrote in how much they loved it.
My mom was a single mother, raising my sister and me. My mom has an incredible talent for living in the world without traditional structure, and her friend, who was in advertising, put me in a commercial when I was five. It was just to make money.
