There's something about the good-hearted guy fighting the system. I just love that. That's how 'Speed' is. He's a really focused guy with a heart of gold and the corporations are trying to crush him and use him for his skills to make them more money.
I play a character in the WWE and everybody hates my character. I'm the evil villain bad guy. Whenever people meet me, they're like, 'Wow, you're such a nice guy. We never expected that.'
I'm the guy who gets uncomfortable. That's why I was able to write 'The 40-Year-Old Virgin' and 'Knocked Up.' I believe in those guys.
Most of the bad guys in the real world don't know that they are bad guys. You don't get a flashing warning sign that you're about to damn yourself. It sneaks up on you when you aren't looking.
To survive in a lot of male-dominated situations - the police, the military, what have you - you put on a bit of the crass, blowhard thing, because you just can't survive being the nice guy in those environments.
You know, OJ was a really nice guy, and he knew his lines. He was nice to everybody on the set. He got to be a better actor, I thought, with every movie.
The bad guys are the fun guys. The only people I have trouble with are the so-called normal types. Their language isn't very colorful, and they don't talk with any certain sound.
When I'm on television, I think that I appeal to the everyday guy, 'cause that's who I am. The guys who go to the football games on the weekends are my viewers, for sure.
You need a wisecracking buddy standing next to you? That's the role for me. You got the guys who are knock-down, drag-out handsome. That's what people want to see. Let that guy be the hero. But there's always a role for the Everyman.
That guy in a twenty-five cent bleacher seat is as much entitled to know a call as the guy in the boxes. He can see my arm signal even if he can't hear my voice.
But there's a little guy who sits astride my brain with a whip, and if I'm away from the machine for more than a couple of hours during the day, this little guy's lashing away.
However, we couldn't focus on the films much during the series because we're dumb. Individually we're smart guys, but together we're one big dumb guy, and couldn't concentrate on two things at once.
The thing about 'Watchmen' that people should know is that when it came out there was absolutely nothing like it. Up until then, comics were about the same thing: a guy in tights fighting another guy in tights and saving the girl - that was it.
To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
Having dealt with a lot of real firefighters, I know there are a lot of guys who, for lack of a better term, become addicted to the grief because it has kept them connected to these guys that they felt responsible for having lost.
It's difficult to gauge that. With a bad guy you just know you're bad. To play a nice guy is harder - unless you are a very nice person like me of course.
The guy that I worked on 'Thriller ' was a genius and he was 20 years old, but it was like working with a gifted 10-year-old. The guy who I worked on with 'Black Or White' was crazy. Michael had gone mad.
I never ask boys' opinions on clothes, ever. I really think, unless you think the guy has style, don't ask. So I only ask my girl friends. I don't trust guys' opinions on style!
Gervais Beaulieu: Sometimes I wonder why we pray to a long-haired guy who hangs out with a bunch of guys in robes. It's fishy. Honestly!
Sam Wilson: Hey, Cap, how do we know the good guys from the bad guys? Steve Rogers: If they're shooting at you, they're bad.
Alan: [shortly after Tequila reassured Alan that the guy he shot wasn't a cop] Was that guy I shot really a cop? Tequila: Yeah. Alan: Fuck!
