How we absorb music is unique. I know what I do. When I'm listening to music, I tend to find myself in a song. That's what really makes you connect is if you feel what that song is saying.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
But I always held my music up and protected it from compromise. So I just do it for my friends. I've written hundreds of songs, and I'm sure I have a few albums worth of songs.
I write a lot of music in my time off and I compose most of the songs on guitar. I've actually gone into the studio and recorded a few things, but it's tough trying to sell a song. It's all about finding that hook, that melody.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
As time went on, we formed a number of different bands. We played in rival, neighborhood bands. We learned more songs and we learned how to play Chuck Berry music and we learned Ventures songs.
I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
A lot of times, the choice of the right song will save a scene. Or there will be a scene that's a little flat and you put in the right song and somehow it just comes alive.
In the songs I can still be really really direct but in interviews when I'm explaining my songs I shouldn't be so direct about who they're about.
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
When I record, it feels like I'm in a bubble. There's nothing else in my head right then. It's just that song, and I'm trying to really sound like what the song is about.
I wrote a song with Kara DioGuardi called 'What If,' and it's a really beautiful song. It's kind of like a rock ballad. There's a lot of guitars and drums in it.
I play a couple basic folks songs and break them down. I did that on a six string. I can't recall all the songs on it. There's some finger picking on it.
A DJ can't just play one song. It's about playing a set, or how you connect songs in those two hours, and where you place them.
In Georgia where children work day and night in the cotton mills they have just passed a bill to protect song birds. What about the little children from whom all song is gone?
Kids just want to have one song. They don't care about a body of work; they don't even care about a whole album - they just want whatever's hot right now. They download that song, and that's it.
I had been wanting to give guitar lessons to girls because I feel like women tend to use their voice as the starting point for a song and learn a few chords, and then it ends there because then they just use their voice to flesh out a song.
I've had songs written during the Falklands war, and during the first Gulf war I got letters from soldiers saying they were listening to these songs, like Island of no return.
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