Senorita was fun to sing, but I don't really have a favorite. When you write a bunch of songs, they're like your babies. You don't pick favorites.
However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.
You just went right in and just recorded songs and listened them, and if there were any mistakes, then we would correct them and just went on... one take or two take.
The people who run record companies now wouldn't know a song if it flew up their nose and died. They haven't a clue, and they don't care. You tell them that, and they go, Yeah? So, your point is?
I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
I was talking to my spiritual advisor. I got a letter from somebody who said that they were about to kill themselves, but they listened to a song of mine and it saved their lives.
My writing is really intuitive. As a kid, I went to school in New Jersey and hung out in New York, so the way kids used to talk got into our earlier songs.
Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
Between each album I try to gain a new insight that I didn't have before and perhaps write a song about something that I've written about before, but from a fresh viewpoint.
There's only so many things to sing about, so what's going to make a song appeal to you more than someone else's is just a unique way of saying the same thing.
When you're in the middle of writing a song, you can come up with this whole web of stuff only you know how to get through. That's very entertaining for me to do that.
We must begin to make what I call 'conscious choices', and to really recognize that we are the same. It's from that place in my heart that I write my songs.
The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
I don't know why my brain has kept all the words to the Gilligan's Island theme song and has deleted everything about triangles.
Are we biology or God or something higher? I know my heart beats and I listen to it. The beat is biology, but what is the song?
I think there'll always be a kid with a guitar with a song in his heart that's going to turn me on - that's as far as I can see. Whether lots of people agree with that, I'm not sure.
Red-hot songs were born on the black streets of Baltimore, where I delivered five-gallon cans of kerosene and ten-pound bags of coal.
Ringo Starr may not have much of a voice, but when he sang a song on a Beatle album, it had its own special charm.
When I was writing the Destiny's Child songs, it was a big thing to be that young and taking control. And the label at the time didn't know that we were going to be that successful, so they gave us all control. And I got used to it.
I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.
