You live a life, you have a family, you sing your songs. You do not think about these things. You just do them. And then one day, it all make sense to you.
I always feel like I want to write a song when I'm really upset. And when I'm in an argument with my family, I go straight to the piano and just kind of take it out on the piano and get all emotional.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
It is setting goals and trying to be a business person, but at the same time not losing sight of who you are writing songs for and what your goals are as a songwriter. So believe me, if you think I've got it down I don't it is a constant struggle.
That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.
There seems to be a great propensity in this business to write tear-jerkers, 'You-left-me' songs. I thought, 'Why don't I count my blessings by looking at what I have?' I'm pretty much an optimistic guy.
I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.
'The Impossible Dream' is, in my opinion, one of the greatest songs ever written. Here is a man, an old man, a very old man full of daring, bravery, courage, determination, romanticism and dreams.
You're always frustrated, you don't have the chance to do a song on the album, like the Beatles did with Ringo and George, or like Led Zeppelin, where everybody was given a chance to contribute. There never is a chance with the Stones.
It's pretty cool that artists like Flo Rida and Bingo Players can be inspired to interpret a song like 'Piano in the Dark' in completely new genres. As an artist and writer, it's the highest compliment we can be paid.
It was not cool to be that fun, bubbly kid, so I would just go off on my own and sing and make up songs, and that's how I think I developed into the kind of artist and writer that I am.
I always say, 'Hip-hop takes me everywhere.' It's crazy when I step onstage, and people might not speak much English, but they know every word to your songs. It's kind of freaky, but it's really cool.
I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.
I think we all attract troublemakers; I don't think it's particularly about anyone. I had it actually as an album title, and I thought it would be really cool to write a song about a girl that's a bit of troublemaker.
In a way song writing can almost be detrimental, because suddenly you find an outlet that is a kind of cheating. You don't need to have direct communication. You can say, 'I can't describe it to you, but I will record it and send it to you.'
Set lists are tough because you come up with this structure of how the songs are going to go from one to the next, but at the same time, you have to be spontaneous and take requests and change the set list at the drop of a hat.
I found a sound that people really liked - I found this basic concept and all I did was change the lyrics and the melody a little bit. My songs, if you listen to them, they're quite a lot alike, like Chuck Berry.
My earliest attempts at writing were when I was seven. I would sit at the piano and transcribe the songs I heard on the radio. I'd change little things in the music and write different lyrics.
It's a great honor when somebody takes your song and does something different with it. That's what music is all about: to constantly change what somebody else has done.
Usually I write the songs at home and then I bring them in to the band; when we play them as a band, that's kinda how we figure out the feel of how they're going to be presented on the record or live.
