I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known.
In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.
Thinking about what songs are coming next instead of just relaxing, breathing and playing from my heart. Sometimes it can get to be almost like the enemy.
Where I'm fortunate and why I think I've thrived and survived, through the not having albums out every year-and-a-half, is not taking the songs lightly and trying to make sure I've got consistency.
Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.
When I was 20, I didn't give a damn about song construction. I just wanted to make as much noise and play as fast and as loud as possible.
Any artist, when he goes in to record, should have the feeling that any song he records can be a hit. This may sound egotistical, but it makes sense.
Normally when we go in and write the songs we write, we think about doing a cover, but never a covers record. That would be, for us, a concept. We don't want to have a concept!
We played all of the songs on the first Johnny Winter AND every day before we recorded them, so that when we got in the studio, it was totally easy, as we knew exactly what we wanted to do.
The crowning fortune of a man is to be born to some pursuit which finds him employment and happiness, whether it be to make baskets, or broadswords, or canals, or statues, or songs.
Like most kids, I grew up singing 'This Land Is Your Land' in grammar school, but with the most radical verses neatly removed. This was before I knew it was a Woody Guthrie song.
It's not like making records is terrible. Still, I do find the writing of the songs and the live shows to be the things that give you the most clear picture of what it's all about.
No matter where I go, I actually have a lot of couples coming and telling me that one of my songs was instrumental in strengthening their romance!
I think when you put a new record out, everyone has a song or two that they feel people will be moved by so much that radio will be forced to play it.
A person who shakes a leg to 'Zor ka jhatka' at a disc doesn't care about its picturization in the film. He enjoys and downloads it because of the merit of the song.
My songs are the reflection of how I think and how I feel in that moment. But I'm conscious of the fact that artists have a responsibility before the masses and they have to take care with their words.
Her happiness floated like waves of ocean along the coast of her life. She found lyrics of her life in his arms but she never sung her song.
The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.
It's so crazy to see people singing along to songs that aren't even released yet. I'm like, 'How do you even know the lyrics? Have you been watching YouTube?'
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn; it's a vehicle for it.
I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
