Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in ...
The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.
I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
In 'There's Something About Mary' and 'Dumb & Dumber,' I ended up improvising quite a bit of my scenes, and later I didn't even remember what I'd said because I just winged it. When I went and saw the movie, I was as stunned as everyone else was.
I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
I remember so vividly playing a scene with Jimmy Stewart. I was in the back of a covered wagon, and we were doing this little talk in the wilderness. They did his close-up first. I was looking at him and thinking, 'How does he do that?' He is not 'do...
When I look out on such a night as this, I feel as if there could be neither wickedness nor sorrow in the world; and there certainly would be less of both if the sublimity of Nature were more attended to, and people were carried more out of themselve...
When you go to your local police officer, your police chief in the town you live in, big or small, he will tell you the vast majority of the weapons recovered at a crime scene are either stolen weapons, and/or they have been 'lost' or stolen.
I'm like one of the tallest ones on 'Scandal.' If I'm wearing my four-inch Abby Whelan high heels, I hover over everybody. I literally have a lower pair of high heels that I wear when I do one of the scenes with the guys.
I wouldn't say I see things visually first, but what I do think is important, for a lot of screenwriters, is to not just think about the words on the page, but also the world as a whole and the vibe of the movie, rather than a sequence of scenes writ...
I struggle to watch myself in any scene, to be honest. What's done is done. I wish I was able to watch myself, as it would really help me develop as an actor. But I'm not brave enough. It's a difficult thing to do - looking at yourself as this utterl...
An enthusiastic desire of visiting the Old World haunted me from early childhood. I cherished a presentiment, amounting almost to belief, that I should one day behold the scenes, among which my fancy had so long wandered.
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the gig...
Every place has its own punk flavor, but they all borrowed ideas from SoCal. It's still a vibrant scene creeping into every crevasse of youth culture. When you hear grunge, you think of the '90s, but when you hear L.A. punk, it's timeless.
I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant...
That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them...
Usually, when I read something, I'm looking for the story first. And then, when I re-read it, I check every part of it to see whether every scene is necessary. You imagine yourself watching the movie, to see whether or not you're losing the through-l...
I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be v...
This is the story, this is your character, I have the sense of the landscape, I have the sense of the scene, I have all that stuff. But I'm also looking for something else to happen, an accident or something. You're focused on the story you intend to...
If you ask people why they move to the city, they always give the same reasons. They've come to get a job or follow their friends or to be at the center of a scene. That's why we pay the high rent. Cities are all about the people, not the infrastruct...
I am one of those guys who could do the most emotional scene and crack a joke instantly. I'm lucky. I'm just like an idiot savant. I have one enormously enjoyable, pleasurable - for me - talent, which is being able to act.
