There is nothing better than playing a scene with John Cleese or Maggie Smith. It's electric. But I don't think I'm the sort of person who needs to have an outer ego in order to produce something. I realised that through the travel programmes.
Nicholas Angel: [in a crime scene, where everyone is masked and wearing the same clothes] Nicholas Angel: Janine, I've been transferred and I'm moving away for a while. Bob: I'm not Janine.
Wendell: [Viewing the desert crime scene] It's a mess, ain't it, Sheriff? Ed Tom Bell: If it ain't, it'll do till the mess gets here.
Professor Isak Borg: If I have been feeling worried or sad during the day, I have a habit of recalling scenes from childhood to calm me. So it was this evening.
[deleted scene] Raven: [to Charles] I don't blame Eric for trying to kill me. I would have done the same thing.
It's important to me that I don't get trapped in the whole teen scene, because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the sce...
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
Music actually inspires me a lot. I listen to a lot of music, and often I find that if I can associate mentally a song or a piece of music with a particular character or scene, it helps me get back into the head of that character.
We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, fro...
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some ...
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the moo...
It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
I decided to restore 'Napoleon' after a widescreen festival at the Odeon Leicester Square in 1968. It was run by Richard Arnell and George Dunning, who animated and directed 'Yellow Submarine,' and they'd got their hands on the last scene, the tripty...
The classical music scene was completely unfamiliar to me. It was something that I didn't have the most fun associations around. A lot of people don't - they think of older generations and stuffiness. But it's not. You listen to the Overture of 1812,...
I am really proud to be a part in whatever way of women becoming active in the political scene. I think it was the first time that people came to terms with the reality of what it meant to have a Senate made up of 98 men and two women.
The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be...
A producer is always behind the scenes, even more in the movies - nobody sees you. I didn't even meet most of the actors. When I worked on 'Top Gun,' I never met Tom Cruise. You were always in the background.
The way a musical can make us feel is unlike anything else, in song and particularly in dance. I think people fly through plate-glass windows when they get shot because movies don't have dance scenes any more. This is what we do instead.
I remember watching the Blu-ray, and also when they first released it on DVD in the collection of all three movies of 'The Godfather,' and seeing all of those scenes that they cut out, and there wasn't a single one of them that I wished they had kept...
