I watched a couple of really bad directors work, and I saw how they completely botched it up and missed the visual opportunities of the scene when we had put things in front of them as opportunities. Set pieces, props and so on.
I have a number of writers I work with regularly. I write an outline for a book. The outlines are very specific about what each scene is supposed to accomplish.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.
If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer.
I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays.
Honestly, as an actor, all I need to know, the way I kind of look at a scene, is like a puzzle. There are certain puzzle pieces that are bigger than others, and all I need to know is if this is going to fit here to make this part of the puzzle work.
The comptroller of New York City ought to have all the characteristics of a major corporation's CFO - quiet rigor, obsessive care for detail, incorruptible judgment, an ability to work assiduously behind the scenes with the key stakeholders.
Of course, women have long exercised influence behind the scenes. A few thousand years ago this drove Aristotle to distraction: 'What difference does it make whether women rule or the rulers are ruled by women? The result is the same.'
Lift not the painted veil which those who live Call Life: though unreal shapes be pictured there, And it but mimic all we would believe With colours idly spread,--behind, lurk Fear And Hope, twin Destinies; who ever weave Their shadows, o'er the chas...
Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, “It’s not a love match. It’s a marriage of convenience, and there’s not enough warmth between us to light a birthday candle. Get on with it...
When the little mouse, which was loved as none other was in the mouse-world, got into a trap one night and with a shrill scream forfeited its life for the sight of the bacon, all the mice in the district, in their holes were overcome by trembling and...
The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it wa...
Don Lockwood: [while filming a love scene] Why, you rattlesnake! You got that poor kid fired. Lina Lamont: That's not all I'm gonna do if I ever get my hands on her. Don Lockwood: I never heard of anything so low. Why did you do it? Lina Lamont: Beca...
No I am not Prince Hamlet nor was meant to be Am an attendant lord one that will do To swell a progress start a scene or two Advise the prince no doubt an easy tool Deferential glad to be of use Politic cautious and meticulous Full of high sentence b...
At the last parent visitation night I'd sorta accidentally watched a majorly nightmarish scene between Aphrodite and her parents. Her dad's the mayor of Tulsa. Her mom might be Satan.
If you haven't caused a scene in a psych unit, it's just because you haven't been inside long enough.
The true magic of novels dwells within us individually. Each reader will interpret every single character, scene, and metaphor in a slightly different way
So now books were her only friends. She'd read so often she could recite whole scenes by memory. It was not a skill that aided one in becoming popular.
We're standing here, beat to shit, walking away from a crime scene where either or both of us could have bought it, and you're asking me to marry you?" "Perfect timing.
I was enjoying myself now. I had taken two finger bowls of champagne and the scene had changed before my eyes into something significant, elemental and profound.
