I think sex is very interesting for most people, but I'm interested in sex as a way of communication, I'm not that interested in the fantasy version of a sex scene.
'Friends' was an education in intelligent comedic banter; in intelligent vernacular. It was an education in scene study. It was an education in group dynamic. I came out of there with a master's degree in comedy.
The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.
There were scenes that just for length purposes, and knowing that the attention span of kids is not great, don't make it much longer than about 90 minutes.
Working on a soap opera is such good training for the novice actor. No rehearsal, 120 pages of dialogue per week, and one take to get the scene right. No room for error.
I'm not an Internet person that reads behind-the-scenes stuff. I see a trailer, and if it looks good, then I go. That's that.
A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.
The good thing about having chemistry is, when you get to the improv section of a scene, you've got somebody to feed off. It can go on and on and on, and the sky's the limit.
If you have an impulse, not if you're going to ruin someone elses' scene, if you have an impulse of a funny little add-on or taking something in a weird direction, try it.
If life gives you lemons, don't settle for simply making lemonade - make a glorious scene at a lemonade stand.
The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.
As far as my own life goes, I don't buy into the Hollywood scene.
If you're getting ready to do a really emotional scene then, right before it, you're probably not going to be outside playing basketball.
I was a little nervous coming in mostly because my first scene was with Martin Sheen, who I'm a huge fan of.
I've always tried to stay behind the scenes, and I intend to keep it that way.
I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.
Kissing scenes with a boy or a girl, they're awkward. There's nothing sexy about it. There's a lot of people standing around.
Veteran performers are dying off, and new acts simply aren't emerging on the national scene.
There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.
I used to play the piano in the band, and so there's some horrendous scenes of me playing the keyboards.
If you get an impulse in a scene, no matter how wrong it seems, follow the impulse. It might be something and if it ain't - take two!