I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and gen...
In bed at night, I could be reading some book, and I'll come across a sentence that's totally unrelated to some scene I did years ago. But I'll play the scene back in my mind and think, I did that wrong - I should've opened the door more slowly.
I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
'Everwood' I think provides a unique feeling, an emotional experience. And other shows on TV don't have the acting talent to do that. Each one of our actors can do a serious scene and a humorous scene, and can do it all within the same sequence. They...
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is comin...
Soaps have a schedule where you have to be done in 15 minutes. With an hour show, there's no way to get off schedule. On a movie, it's a lot easier to go back and reshoot scenes. I wasn't used to that at all... taking the time to really make each sce...
Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave i...
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importan...
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothi...
There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the toug...
I used to watch 'Coming to America' every day after school. I have full-on long-running inside jokes with friends and family about different scenes in that movie alone. Also, my brother and I loved 'The Golden Child,' so, yeah: I was a huge fan of Ed...
In the Pretty Woman shopping scene, it’s not really about the clothes, or how much they cost, or how great she looks. When Vivian leaves the store, she’s not only a pretty woman, she’s a different woman. It gets me every time.
I loved shooting 'iGo to Japan' because we got to be outside a lot, and our call times were really late because we had so many night scenes. It was pouring rain, so the cast would huddle together in between takes and drink hot chocolate. Shooting tha...
Before college, I acted in my room, to classical music, because music tells stories. I'd put on a record and proceed, silently. I'd keep putting the needle back to a certain segment because I hadn't died well enough. I had to really, really feel dead...
My biggest style inspirations come from the '90s. I'm really inspired by TLC, Janet Jackson, and designers like Jeremy Scott. I'm hugely inspired by Club Kids from New York back in the '90s. I'm inspired by the drag queen scene. Combat boots and the ...
God first appeared on the scene of human history in the role of a matchmaker. What a profound and exciting revelation! Is it too much to suggest that Eve came to Adam on the arm of the Lord Himself in the same way that a bride today walks down the ai...
I want to give just a slight indication of the influence the book has had. I knew that , in his second novel, , published in 1935, had borrowed from for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys an...
I know that it's easier to look at death than it is to look at pain, because while death is irrevocable, and the grief will lessen in time, pain is too often merely relentless and irreversible.
Patricia embraces me on the station platform. 'The past is what you leave behind in life, Ruby,' she says with the smile of a reincarnated lama. 'Nonsense, Patricia,' I tell her as I climb on board my train. 'The past's what you take with you.
These scenes, by the way, are not altogether a literary device - a means of summing up and making a knot of innumerable little threads. Innumerable threads were there; still, if I stopped to disentangle, I could collect a number. But whatever the rea...
