I loved getting to do Promised Land with him. I mean, he's really there for you. We did one very emotional scene in the church. He's just a wonderful acting partner. You feel very safe with him.
[John is rehearsing a raunchy sex scene with his hands on Judy's breasts] John: It's Junction 13 that's just murder, isn't it? Total gridlock this morning.
So much of what I do... is coming up with new characters and trying to invent voices for them, and to have people fully fleshed out in my head and to know who can say what in the scene and who these characters are... I love it.
It's kind of up to the actor to deconstruct the scene and deconstruct the character and figure out how to make it real. That's what I love about this job: It's sort of a puzzle each time, and figuring that out is sort the key, whether I'm playing a c...
If I want to draw more in a particular scene that I think is important, because of time I cannot. That's hard for me. But I've always wanted to be a manga-ka, so I'm doing what I love.
It is, alas, chiefly the evil emotions that are able to leave their photographs on surrounding scenes and objects and whoever heard of a place haunted by a noble deed, or of beautiful and lovely ghosts revisiting the glimpses of the moon?
Narrator: Meanwhile, not more than two swallow's flights away, Arthur and Bedivere had discovered something. Oh, that's an unladen swallow's flight away, obviously. There were more than two laden swallow's flights away, four really, if they had the c...
O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock The meat it feeds on. That cuckold lives in bliss, Who, certain of his fate, loves not his wronger: But O, what damnèd minutes tells he o'er Who dotes, yet doubts, suspec...
It is the most fun I’m ever going to have. I love to write. I love it. I mean, there’s nothing in the world I like better, and that includes sex, probably because I’m so very bad at it. It’s the greatest peace when I’m in a scene, and it’...
But I know nothing; my future is a wide-open vista, leading to an unknown country - The Rest Of My Life.
I write scenes - often quite long scenes - mainly because I still get seduced into writing six lines where one and a half will do.
I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.
Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood.
And that's why I chose on purpose not to have a death scene. We've seen them in a million movies and it's too much like cranking the tears out. I didn't want that scene.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowi...
If somebody came up with a really good idea, everyone would back it. Especially when we did the show, we had a real dedication that, if you were in somebody else's scene, everyone worked their hardest to make that scene good.
I have a nervous breakdown in the film and in one scene I get to stand at the top of the stairs waving an empty sherry bottle which is, of course, a typical scene from my daily life, so isn't much of a stretch.
However confused the scene of our life appears, however torn we may be who now do face that scene, it can be faced, and we can go on to be whole.
I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.
What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.
