What is important for me is that the people who know me for real know Mario how he really is. People who don't know me, they read newspapers and they watch TV. TV is made to give a lot of opinions... so I can't show the real Mario to everybody.
It's one of my strongest dance pieces - having just done Play Without Words which was veering away from a lot of dance - I thought it would be nice to go back to something with almost the most dance I'd done.
Really, running an underdog, insurgent political campaign against an opponent many folks think can't be beat, and going out and meeting folks and talking about your ideas for America and Washington, is a lot of fun and a real privilege.
I think I'm prouder of 'The Victim' than anything else, just because, if nothing else, it doesn't look silly, it doesn't look stupid. It holds up. It's fun. A lot of people have enjoyed it, and I'm real happy about it.
After I perform 'My Girlfriend's Boyfriend,' it takes a lot out of me emotionally; and, at the end of it, I feel like I know the audience and the audience knows me. It's this weird unspoken bond that we'll kind of always have with each other.
When I was 5, I started taking singing lessons, and then, after 'School of Rock,' I started taking guitar lessons. I would always write songs and play them for my friends, and I would play my guitar on the set a lot.
I really like the look of the 1950s, lots of suburban Americana influences. I'm 5'4', so I like kitten heels occasionally because I can move around a bit easier, but pointy-toed pumps are very elongating.
I was never that much a focus of interest that I became a 'thing' at an earlier point in my career. I'm aware of having become a 'thing' now, which doesn't give me a lot of pleasure.
When I started as a White House correspondent, there was a lot of criticism from guys saying, 'She focuses too much on the person but not enough on policy.' I never understood that argument at all. I just didn't agree with the premise.
Sometimes you just have to get a shock to grow up and wake up, and I've had lots of shocks because it's as though I don't learn the lessons, so something new comes and hits me.
We did a lot of that in drama school: intellectualising and maybe justifying your position. 'I am a thinking actor and I have thought this through' - well, just do it. I much prefer the doing aspect.
I'm kind of private and I keep things inside a lot, but it's been so wonderful to realize that people care about you in a very deep way and that there is some bond between an actor and his audience. I don't even know how to describe that feeling.
I do know there are a lot of people who seem to be in my corner, and that's, of course, wonderful. I'm really more interested in the nomination than in the award, because I think the nomination just puts you within a group of outstanding actors.
I don't think I know enough about acting to direct. You need to be a slight megalomaniac, not where you want to take over the world, but where you want to make every single decision and the buck stops with you. It's an awful lot of stress.
I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
I have no real ambition or strategy. If this was all to finish, it's totally fine. There's a lot more to do out there than put on silly frocks and shout for a living. I could always go back to, 'Would you like soup with that?'
Of course the word chaos is used in rather a vague sense by a lot of writers, but in physics it means a particular phenomenon, namely that in a nonlinear system the outcome is often indefinitely, arbitrarily sensitive to tiny changes in the initial c...
A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.
For me, I believe George Foreman was a bad example because when he became world heavyweight champion again at 42, that made a lot of fighters think they could also carry on.
...most people are almost blind and they don’t see most things and there is lots of spare capacity in their heads and it is filled with things which aren’t connected and are silly, like, “I’m worried that I might have left the gas cooker on.
It is the lot of man to share in the deeper aspirations of the universe around him and to share his own destiny as well as that of the universe, now by adjusting himself to its forces, now by putting the whole of his energy to his own ends and purpos...
