Boy, there are days where I get up and say 'Where the hell did my talent go? Look at this crap that I'm producing here. This is terrible. Look, I wrote this yesterday. I hate this, I hate this.'
In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds long.
I used to be pretty reckless. When I was a runner for a production company, I drove a massive 16 seater van. I was only 18. I mean I look young now, but then I looked about 12.
Then in a great crash they threw themselves to the floor, ears flopped down, the whites of their eyes showing, looking the way only a dog can look who is totally disappointed. Indeed, they were the very pictures of disappointment.
The Space Shuttle will stop directly below the Space Station and Sergei and I will be looking out two different windows looking straight down at the Space Shuttle.
I think we all share a view about wanting to make sure we have a healthy river and we're looking forward to the plan and in the lead-up to that we've agreed to speak again.
I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.
When we look for the origins of all humanity today, let's not just look at Europe, because I think Africa was the cradle, the crucible that created us as Homo sapiens.
Looking back at it now, I really feel like it was a gift because I don't know if I have the talent to become a prima ballerina. It's such a hard job to have. I don't have any regrets about it.
My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into somethin...
What?" I asked. "Nothing," he said. "Why are you looking at me like that?" Augustus half smiled. "Because you're beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence.
And I know how many DJ pools have grown and I know how DJing has grown in the overall, but that was the technical side of it to me. DJs were rolling around, looking for stuff to buy and looking to see what was in the store when they get there.
I don't really look at myself as a role model. And I just am the way I am and if people want to look up to me, they do. By no means do I like to give a negative image either.
We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
I didn't want to look distinguished; I wanted to look fun, and also to fade into the street, into the King's Road. If I don't fade into a room at White's, that's fine. My father was chairman of Brooks' and the Beefsteak, and I was brought up in that ...
A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the produce...
As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but...
Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with...
Stan: It's up to you, kid. We can be friends, or we can be enemies. What's it gonna be? Walter: [looks down, thinking, then looks up] Defend yourself! Stan: What?
Frank Booth: What are you looking at? Jeffrey Beaumont: Nothing. Frank Booth: Don't you look at me, fuck! [whispering] Frank Booth: I shoot when I see the whites of the eyes.
Instead of making people victims of people who are successful, we should be telling people, 'Look, you are having a hard time, I feel bad for you. Let's look at what you're doing, let's teach you how to succeed. Let's give you the tools to succeed as...
