In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
Always look up to the better. They tell you where to go but never look down upon inferior because you know, you were once there.
One day you look out and the audience consists of 65,000 people. It's like looking in the mirror and one day you realise you've gone grey.
It's hard to know what to say about somebody like that, except there are people who look for trouble. And trouble is very easy to find when you go looking for it.
I didn't go out looking for negative characters; I went out looking for people who have a struggle and a fight to tackle. That's what interests me.
If you need inspiration, look into the eyes of people as you walk by them. They are looking for a hero; that person may be you.
I'm a third generation Californian, and there's a lot of talented, good-looking guys in California, so I'm just happy to be working and lucky to be working.
I've never looked at film-making as a career. I've looked on film-making as an adventure. When you come down the mountain, you get ready to climb again.
I keep both of my Tonys on my mantle. They're in front of a mirror so if you look at just the right angle, it looks like I have four!
It seems to me that the poet has only to perceive that which others do not perceive, to look deeper than others look. And the mathematician must do the same thing.
As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
Look at London or Paris: they're both filthy. You don't get that in Tokyo. The proud residents look after their city.
I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul.
One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost.
I don't like guitar solos that are like, 'Look at me, look at me!' I like guitar solos that are little songs within the songs.
My teenage years were spent trying to look like Rod Stewart - I ended up looking like Dave Hill from Slade.
I've written all my songs on every single one of my records, and that's what's been fun about looking back.
Magic is all about directing attention. If I didn't want you to look at my right hand then I don't look at it.
Just a ton of excitement, and the way the guys are together on this, they're looking at me to grow and to learn, and I'm looking at them to grow and to learn.
Looking back on the production of 'Nevermind,' I'm embarrassed by it now. It's closer to a Motley Crue record than it is a punk rock record.
He wasn't that good looking, he had the social skills of a wet cat and the patience of a caffeinated hummingbird
