There are three things that are important for a film. Number one is story, number two is story, number three is story. Good actors can save a bad script and make it bearable, but good actors can't make a bad script good - they can just make it bearab...
We sat down and told stories that happened to us in our childhood, to our children. They were all basically based on the truth. These stories were funny and poignant to us. They just took off. These are all stories from my life.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
I don't want to steal anybody's story. I very much want to use the stories that I hear to get lost in my mind, to tell a larger story.
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
Phyllis: Neff is the name, isn't it? Walter Neff: Yeah. Two "F"s, like in Philadelphia, if you know the story. Phyllis: What story? Walter Neff: The Philadelphia Story.
[first lines] Flynn Rider: This is the story of how I died. Don't worry, this is actually a very fun story and the truth is, it isn't even mine. This is the story of a girl named Rapunzel.
When we believe in our thoughts, when we tell ourselves a story, we suffer. 'My husband doesn't respect me.' 'I should be thinner.' Those are stories. When there's no story, there's no suffering.
Love is infinite. Grief can lead to love. Love can lead to grief. Grief is a love story told backward just as love is a grief story told backward.
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
A typical twenty-page short story would work quite well as a graphic novel. A single graphic novel of maybe 120 pages would condense down into a short story quite nicely.
Listen, I'm against sin. I'll kick it as long as I've got a foot, I'll fight it as long as I've got a fist, I've butt it as long as I've got a head, and I'll bite it as long as I've got a tooth. And when I'm old, fistless, footless, and toothless, I'...
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style...
Forever is a long bargain.
As a child I loved ghost stories.
I laughed all the way through Love Story.
My favorite movie is 'Closer' and 'Love Story.'
Not everything is a love story.
They should not clench their fists, it’s my longing that’s drawing me near to them; they should not stand there full of rage, my longing is timidly drawing near to them; they should not be ready to pounce like vicious dogs, as if they wanted to t...
