I bled a lot. I got hit across the face. We couldn't film for seven days. I got hit, whacked, underwater, across the face. I finished the shot, got into the boat and blood started coming out.
I grew up in Mammoth Lakes, and they shot an episode up there, and I was hanging around when I was on the ski team. I was very, very involved in athletics, so I didn't watch a lot of TV, but I definitely watched a lot of '90210.'
I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
Every kid coming out of Harvard, every kid coming out of school now thinks he can be the next Mark Zuckerberg, and with these new technologies like cloud computing, he actually has a shot.
When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright.
It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again.
Might as well toss this, Chickie, it's ruined. What was it like, getting shot?" "What kind of a dumb ass question is that from a guy who went to medical school? It hurt!” - Undead and Unemployes
Might as well toss this, Chickie, it's ruined. What was it like, getting shot?" "What kind of a dumb ass question is that from a guy who went to medical school? It hurt!
When Fashion Week ends, I miss the shows and the shot of adrenaline that comes with them. Each day is a new show, a new fitting, and you make new friends. Every season you get to know the other girls a little better.
I guess it’s also not a good thing when you start relating yourself to a late nineteenth century nut bag who shot himself, but hey, you’ve got to relate to something if you ever want to feel relevant.
I think that when NASA works on a moon shot, they know too well that all of the people working on it must do their job at 110 percent. Sometimes they probably put in 18 hour days, but they're aiming for the moon, and that's what counts.
I like the sound of laughter. I was the guy in the group of friends that would always make the friends laugh. And everyone was like, 'You should do stand up,' so I gave it a shot, and ta-da! They were right.
I've shot a lot of places, and I've produced. I always thought, 'Gosh, when you shoot in a big city, it's so difficult.' And New York, I always think, 'Where are you going to park the trucks? How are you going to stop the traffic?'
It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.
I've done some effects shots. I've done some compositing. And in 'Just Like Heaven' did a lot of, like, motion control and things like that. But never done, like, computer-generated imagery in action.
I have zero strategy for my career - like, zero. I could get as much satisfaction about doing a $20,000 shot film the same way I could do a $100 million film with a bunch of effects.
It was like being shot at by arrows in the chest, which when taken out would cause more pain than before. Sometimes I can’t help but wonder how much a man has to endure before its over, once and for all.
When lifting, I'm always with a trainer because the thing that makes a difference is that last 20% in your training, and he very scientifically looks after my food as well, because when I'm going for a 'shirt off' shot, everything changes the month b...
I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.
I think when we shot 'Tokyo Drift' I was a little too young to really understand what made Han who he is, and then I got older, and you start to make a little bit of money, and you realize that money will never buy you happiness.
