John Hartigan: [pounding Yellow Bastard into floor] John Hartigan: [shouts] Eight long years, you son of a bitch!
John Hartigan: [after pounding Roark Jr.'s head to mush] So long, Junior. Been a pleasure.
Sophie: Don't you see? We are dying. I longed desperately to escape, to pack my bags and flee, but I did not.
Fanny: My only real concern is how long it will take them to move out.
Darth Vader: This will be a day long remembered. It has seen the end of Kenobi, it will soon see the end of the Rebellion.
Alonzo Harris: Why the long face, Doug? Feds seize your house? Doug Rosselli: Fuck yourself, Alonzo.
Dave Kujan: He was dead just long enough for the murder rap to blow over. And then he had lunch.
The farmers in Kansas are sorely in need of a credit system meeting their special requirements, that they may more readily obtain money on short or long time for their farming operations, or that they may become owners of farms.
Long made it possible for me to get on records, so what little money he did take from me, if any at all, he was entitled to it. He didn't take something from me.
Nobody has money right now. And eating is very important, but it doesn't need to be expensive. And to make - it doesn't need to be fancy, as long as it's fresh and simple. The simpler it is, the more fancy it actually comes out tasting.
Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
Look, don't congratulate us when we buy a company, congratulate us when we sell it. Because any fool can overpay and buy a company, as long as money will last to buy it.
They wasn't gonna give you nothin'. I didn't care as long as they let me play my music. Cash on the spot... You cheat me and I'm gonna get me some money, too.
To bring out a new technology for consumers first, you just had a very long road to go down to try to find people who actually would pay money for something.
I had an investor who said to me he'd keep his money with me as long as I didn't have a girlfriend and I didn't start combing my hair.
Well, it arose out of two long-term concerns - the first being the possibility of genetic manipulation, nature versus nurture, what constitutes how people get to be how they are.
When you play long enough, everybody goes through spells and streaks and slumps of some nature. I think it's just one of the those things where you have to play yourself out of it.
I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
We have, of course, long since ceased to think of Nature as the sympathetic mirror of our moods, or to imagine that she has any concern with the temporal affairs of man.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Some pacifists have carried the sound idea of the prime importance of security too far, to the point of declaring that any consideration of disarmament is superfluous and pointless as long as eternal peace has not been attained.
