I'd say that on 'Friends' my character was the guy bouncing around the room. I'm no longer that guy, necessarily, in my life. I used to be. But I'm not now.
The teenager's room is her cave. It is here she can meet herself, undistracted by the new hassles life is making for her. Here, she can reflect.
Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.
I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too.
It's part of our nature. As much as I love (brother and guitarist Eddie), if you put us in a room with no one else for 15 minutes, we'd be at each other's throats.
Whenever I'm on tour and I'm in my hotel room and I'm writing and playing my guitar, I go in the bathroom and I record whatever I'm writing in there. It's just what I love to do.
I really do love social media. I've always been crazy about - even like, remember AOL chat rooms? I always loved message boards, and I was always interacting on the computer.
I'm a secret interior decorator. There's a mural on my dining room wall of the railroad tracks at 30th Street Station in Philadelphia. I love having my hometown with me out here in California.
No matter how high you climb, there will always be a room for you to turn your creativity and productivity up some notches.
Never force you way into a heart that refuses to make room for your presence. Respect your self-worth at all times.
I keep everything fans give me, if I can, but I do worry about when I run out of room in my house!
Lesson one, introduce yourself to everyone when you walk into a room. Don't act like you're too bougie to say, 'Hello.'
If there is enough space on radio for Busted and McFly, who are basically the same band, or for 50,000 versions of Stereophonics and Coldplay, there must be enough room for all of us.
I just think that all of us in this room should have a voice in how the USA is represented. And he don't allow us our voice, that's all I'm saying.
The first version of The Beautiful Room Is Empty was the first mss. I'd ever submitted to New York editors.
To me, lighting really sets the mood for a room. A 40 watt bulb in a cheap lamp is the same as a 40 watt bulb in an expensive one.
As actors, we went where we wanted to, and the camera followed us: it was like having another person in the room. There was no formal structure to the process. It was very liberating.
You can take all the sincerity in Hollywood, place it in the navel of a fruit fly and still have room enough for three caraway seeds and a producer's heart.
Perhaps being old is having lighted rooms inside your head, and people in them, acting. People you know, yet can't quite name.
Look at the number of cop shows and lawyer shows and forensics shows... I think there could be room for two quite different examinations of the same political office.
I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.
