We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.
What we need is a full field guide to the microbes that live in and on people, so that we can understand what they're doing to our lives. We are them; they are us.
In the end, it doesn’t matter how well we have performed or what we have accomplished—a life without heart is not worth living.
I'd like to think I'm not quite so pretentious as to think my characters go off and live their lives once I've written the final page and switched the computer off.
The person who does not know how to live while they are making a living is a poorer person after their wealth is won than when they started.
Who are you to judge the life i live i know i'm not perfect and i don't live to be. but before you start pointing fingers make sure your hands are clean.
I've learned that social media and our private lives, you know, our private lives are not so private anymore, so it takes a little bit of getting used to.
I've spent the last year listening to Americans, and the state of the union that George W. Bush lives in is very different from the state that most hardworking Americans are living in.
Men don't and can't live by exchanging articles, but by producing them. They don't live by trade, but by work. Give up that foolish and vain title of Trades Unions; and take that of laborers Unions.
In Turkey, we have lived almost everything that could be lived; war and torture... The war concept was consumed to its limits. But there is only one way we have not tried: negotiations, peace, and talking.
Before you get a dog, you can't quite imagine what living with one might be like; afterward, you can't imagine living any other way.
People have so many hang-ups about how other people live their lives. People always want to keep you in a little box, or they need to label you and fix you in time and location.
You can never forget the time you're living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you're living in is the most important thing.
It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto anymore, but every time I go back, I'm still seeing the same things that I lived.
I believe that everyone experiences depression to some degree at some time in their lives. And there are probably millions of people who live with a low level of sadness and heaviness day in and day out.
The writer must face the fact that ordinary lives are what most people live most of the time, and that the novel as a narration of the fantastic and the adventurous is really an escapist plot; that aesthetically, the ordinary, the banal, is what you ...
I believe in past lives but I know nothing about mine and I don't want to know. I live in the present, taking one day at a time.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
A departure from the movie with Michael J. Fox, 'Teen Wolf' tells the story of how a group of angsty teens deal with werewolves, their supernatural kin and the world of trouble that comes with it, all while trying to still live their lives.
I always divide people into two groups. Those who live by what they know to be a lie, and those who live by what they believe, falsely, to be the truth.
Harry Block: All people know the same truth. Our lives consist of how we chose to distort it.
