Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not e...
When I was coming up with the Hal Hartley films, I was cast as a no one. I had no name visibility. I was working at a downtown post-performance-art, avant garde theater company and doing a couple things on television. But I was a total unknown.
I've conducted an experiment on my kids. Instead of denying them access to media, I've encouraged it. They read comic books, play Nintendo and watch way too much TV.
My instinct is to absolutely recoil when talking about writing in a mechanistic way. Nothing could be dumber than writing a film or TV script based on prescriptions, on other peoples' ideas of what character should be.
I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.
I have some close friends I keep in touch with. I knit. I watch a little too much TV. I ski, if the weather's right for that. If I can find a group of buddies, I go rock climbing.
I never eat standing up, I never eat in front of the refrigerator. I treat myself very formally with meals. I don't watch TV or read. It's a little bit of a ritual, and it's more enjoyable.
I mean one of the weird things about TV and one of the things that some actors don't like but I kind of dig is that you never know where you're headed, I mean you never know what the writer might think of next.
I get very few nasty letters. A few from people who disapprove of the fact that I'm getting naked on television yet again. I don't know why - I suppose they don't like the idea that I'm doing that while I'm married with children.
By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.
Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.
Television has made places look alike, and it has transformed the way we see. A whole generation of Americans, maybe two, has grown up looking at the world through a lens.
I don't like seeing myself on television and I don't enjoy filming. What I actually enjoy is thinking about how I am going to express something or how we are going to make the visual metaphor.
My dear boy, your thinking has no structure, no foundation. You pick up your primary ideas from TV shows. You're like a fart in the bathtub. ['The Murder Room: The Heirs of Sherlock Holmes']
I formed my own studio, carried my own deficits, owned one-hundred percent of my negatives, and made a lot of mistakes, but we ended up being the third largest TV studio in Hollywood.
Once you put something like 'The A-Team' on the map, it does become part of the DNA of television. People grab little pieces of it. I certainly grabbed little pieces of other people's shows when I was creating my shows.
One of my problems is I am getting so mature that I have to pick up a TV and toss it through the coffee table just to remind people of who I am. I want to go ranting and screaming into the grave.
A lot of drive is innate, self-perpetuated, reinforced energy. As a kid, I could always sell anything I could get my hands on - from newspapers to lemonade to 'TV Guide.' I knew how to make a presentation.
I know that we shall meet problems along the way, but I'd far rather see for myself what's going on in the world outside, than rely on newspapers, television, politicians and religious leaders to tell me what I should be thinking.
It's one of my favorite things to do, watch TV and stretch. I'm so flexible. I can put my legs behind my head. I want to be the most flexible person in the world.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
