I think living my happy, open life and showing young gay kids you can be successful, you can have love in your life, you can be a contributing member of society and you can be respected - I think that's it.
I have played Blair Cramer for 20 years, I feel a personal investment in the success of 'One Life to Live.' I love the show, I'm a fan of the characters, and I have invested in the journey these fictional characters have traveled.
People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully ...
Both the Winter and the Summer Solstices are expressions of love. They show us the opposition of light and dark, expansion and contraction, that characterize our experiences in the Earth school so that we can recognize our options as we move through ...
'Days of Our Lives' was an insane schedule. You're doing a whole one-hour show in a day. You do a very cursory run-through with the director telling you where you're going to be standing, then you do a quick rehearsal on camera and you shoot it.
From the very start, if there was a spotlight, I would step into it. My parents wondered what to do with this insufferable show-off. They chose acting for me, and I'm very grateful I can still make a living from it.
Playing live is closer to theatre, although when you're up there on your own, it's quite scary and revealing because you're playing your own songs. It's like a one man show that you've written yourself.
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
I think the biggest difference is in live action, you show up, and there's a set there and a ground to stand on, at least, and in animation, there's kinda nothing. You are making decisions on everything.
My only general rule was to steer away from things I played with the band over the past couple of tours. I was interested in re-shaping the Rising material for live shows, so people could hear the bare bones of that.
With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
I'm kind of a 'Daily Show,' Bill Maher junkie. I listen to NPR and I still get the 'New York Times' paper delivered to my door, even though I live in L.A.
People who live according to the pure code of honor are not governed by the profit motive; they are governed by the thymotic urge, the quest for recognition. They seek the sort of glory that can be won only by showing strength in confrontation with d...
No one knows if Saddam is still alive. They keep showing old footage of him on TV saying that it's live. You know, it's like the same thing we do with Dick Cheney.
Dogs are not 'people' of another species. They are another species. To train and care for them properly, to show them how to live in our complex world, requires first and foremost that we understand that.
I don't have time for their judgement and their stupidity and you know they lay down with their ugly wives in front of their ugly children and look at their loser lives and then they look at me and they say, 'I can't process it' well, no, you never w...
I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.
I would be a horrible lip-syncher. I would only ever sing live - that's why people come and see the show. It's not the easiest thing in the world to sing and dance at the same time, which is why I'm grateful to be able to do both.
Over a period of time, if you have a successful show, then you have a devoted audience. I feel you owe something to them. That goes for everybody - writers, camera operators, actors, studio executives, etc. Sadly, I've realized it's a responsibility ...
Barbossa: Look! The moonlight shows us for what we really are. We are not among the living, so we cannot die, but neither are we dead.
