I'm not one of these actresses like, 'Okay, where's the camera? Is it here? Is it here?' I don't even ask the questions because I don't really want to know. I like not performing for a camera but giving it my best every single time whether you're clo...
You create a blueprint of your best performance, and you're happiest the night you surpass that blueprint. That won't happen that often, but it will happen. It's like sculpting: you keep refining. When you have a piece that is yours, that is just you...
David has asked me, a number of people have asked me and said, What performance do you like best or what's the best film you've made and so on and I don't really have any hesitation that the film I'm least embarrassed by and ashamed of or uneasy abou...
People have said some really good things about my performance, and that's what I'm happy about, what I'm excited about. I was able to go out there, and like I said, I put my best foot forward.
I was pretty young when I decided I wanted to, well, more so be a singer. I started singing in church in my hometown, East Orange, New Jersey. I knew when I was about five or six that I wanted to be a performer.
I'm from Mt. Clemens, Michigan. It's right outside Detroit. The suburbs. I was always very heavily involved in theater back then. I was always in drama club or forensics. Anything that you could do that had some performing, I was doing it.
For a while I was perfectly happy not performing with 'The Who.' From 1982 to 1989 I felt 'The Who' did not exist. I let the band go, in my heart. However, Roger Daltrey had other ideas. He would not let go.
People think because I can make them laugh on the stage, I'll be able to make them laugh in person. That isn't the case at all. I am essentially a rather quiet, dull person who just happens to be a performer.
I never get tired of performing to people who want to hear me. Hell, that's my handshake to the world. I'm doing just what I've wanted to do since that day I was 15 and heard Lenny Breau play the guitar.
Jodi Melnick is hotly self-absorbed. Her onstage musicians are much too loud, and like so many narcissistic performers, she goes on much too long: She's interested in herself; why wouldn't we be?
I grew up listening to Bernadette Peters, Patti LuPone, and Angela Lansbury, so I grew up wanting to sound like Patti and Bernadette. What I realized, though, is that I can't sound like that, and what makes their performances magical is their uniquen...
I will definitely start in small venues, as I want to find my feet as a performer; the first shows that Westlife did was ten dates at Wembley, which was just crazy. We didn't have a clue what we were doing because it was so big.
People know who you are when you've never met them. For them, through interviews and seeing you perform, they feel like they know you and you've never seen them before. It's really different, but it's awesome.
I've been doing comedy longer than I haven't been doing comedy, as I was performing for three years before I even got on 'The Tonight Show.' There's truly nothing like it; it's intense and exhilarating, even though it looks so casual.
I'm not like some other writers: I have no actual urgent need or desire to add to what's written. You write it; if you're lucky, it's performed, and that's the end of the whole thing.
If you swap it about, do television, theatre, film, you can go on surprising yourself. The problem is you get employed to do something you've already done. They want something from that sheep pen of performances they've seen you do.
I am basically a shy person, so performing sometimes helps me focus - having all those people concentrate their attention on you. I don't see it so much as becoming another person onstage; it's more exploring a different side of your personality.
I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
I'm a pro! No, what I mean is I have performed with the Royal Shakespeare Company in England. I have been all over the place. I have studied theatre for seven years.
I definitely have an alter ego that can come out and get me out of situations where I'm having social anxiety. I can take a deep breath and create a bubble so I can perform in some way.
It was so strange. I knew that Josephine Baker had performed on the same stage but that night I felt it. Many of the same people who worked with Josephine Baker are still here. They know what they're doing. And that was a very comfortable feeling.
