I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.
As I sit down and start to work, I often panic. I stare at the empty piece of music paper. How can I say that my piece will be ready for performance next January when I do not have a recipe for making it happen?
I grew up seeing my parents perform and sing, and I just always wanted to be singing, too. Music has always been my deepest passion and what I felt most connected to.
I'm making a record that's half stripped down acoustic which is the way I perform a lot and half of it is very produced. It's really hard to keep music simple but I was trying to keep it simple and focus on one or two instruments and vocals.
My first performance was in second grade with my friend Rodney Fisher, and we worked up versions of 'Long Tall Texan' and 'I Want to Hold Your Hand.' It gave me a little early confidence that I could actually do this music thing.
Music is very similar to comedy: It's all about texture, timing, context, vocabulary, performance. When someone's onstage doing a solo, essentially it's the same thing as what a comedian does. They're in the moment. They're listening.
The Tinted Windows shows were very fun but it's very different for me as a performer. I'm not playing music - I'm just singing and I missed that. I miss rocking out on keys, drums, guitar... whatever it is.
I was in a music class when I was little, and they discovered I had a talent and could sing. From there, I joined this singing troupe in California, and I would just go sing at festivals in this girl group and perform as much as I could.
I was king of the mountain for a long time, well, I don't want that no more. I like to perform every once in a while for people who want to see me, and cut albums of music that is what I'm really about.
When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environ...
Yesterday morning I amused myself with an exercise of a talent I once possessed, but have so neglected that my performance might almost be called an experiment. I cut out a dress for one of the women.
There's still prejudice and that resistance regarding women, not only on female football but in various activities. Men think that women are a bit fragile to perform some types of activities or don't have the ability and aren't strong enough.
Even when a man and a woman perform equally well in a task - say, solving math problems - men are more willing to enter competitions based on that task. Men also show less risk aversion.
I started singing when I was about 3 and dancing soon after. Mom just started looking for outlets where I could perform and availed herself of any opportunity she could in the mountains of North Carolina in the '70s.
Writing and singing does give me some kind of release from the demons of my past, it is a therapy of sorts, but to be honest, my marriage played a more important role in the acceptance of myself than performance has ever done.
I look at some of the old villains in the Disney movies. If you really listen, you can hear some of the villains or some of the supporting characters, they use the voices over and over because they were so versatile in the way that they performed on ...
I think the 'Lethal Weapon' movies contain my favorite performances. It sounds really crummy, I know, but although the work doesn't look hard, it's difficult to create 'effortless' on screen.
When watching movies, I was always inspired by the performances of the cast. Of course, the story and the direction and all that intrigued me. But what actors would propel themselves to do, and be, was awesome. It was like, how could these people giv...
I knew I wanted to be a performer, but I didn't know I would specifically be in film. I actually never thought I would be in film. I always envisioned being on the stage.
The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.
I don't think the rating system places too much pressure on chefs. I prefer to put the pressure on my chefs to perform to the top standards.
