As for what I listen to after writing, it could be anything - but I've noticed that if the current book contains music from one tradition, it is music from another tradition that most relaxes me.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
Growing up in Memphis and listening to all kinds of music and dreaming... So that was one of the first times I wrote a complete song and set it to music and the whole bit. From then on, I was busy with it.
Once you've changed who you are or who you've portrayed in your music, the fans, they'll catch it... Once I feel like the world knows me for anything else but my music, then I feel like I failed.
I've just had a wonderful time doing Chinese music, and it's been so rewarding for me. I feel like there's so much potential in mandarin music, and there's so much, you know, ground left to be broken.
I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.
The way I create music is maybe like a painting, to compose in a more visual way. Basically it's the music that I want to hear- that's my inspiration and bottom line. I just try to get ideas from books, movies, paintings.
To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
Antonio Salieri: [about Emperor Joseph II's musical tastes] Actually, the man had no ear at all. But what did it matter. He adored my music.
I started out really into musical theater. So you can imagine I was super popular. I wasn't awkward looking at all.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.
People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.
In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, we are also living the stories we planted - knowingly or...
He who lives by medical prescriptions lives miserably.
I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the ...
It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’...
I have never lived a life so much larger than death. (93)
Your life is yours to live, no matter how you choose to live it. When you do not think about how you intend to live it, it lives you. When you occupy it, step into it consciously, you live it.
LIVE TO LOVE THE PEOPLE WHO LIVE WITH YOU LIVE TO LEARN TO EARN YOUR LIVING LIVE TO MAKE YOUR PRESENCE FELT IN SPITE OF YOUR ABSENCE LEARN TO FIGHT IN SPITE OF OBSTACLES DO NOT FORGET JUST LIVING DO NOT MAKE ANY DIFFERENCE TO THE WORLD Dr.T.V.Rao MD
