When we live with Integrity every word, thought and action springs from the Intelligence of the Heart and flows in harmony, enlightened by the pure light of Consciousness.
We cannot live only for ourselves. A thousand fibers connect us with our fellow men; and among those fibers, as sympathetic threads, our actions run as causes, and they come back to us as effects.
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.
In bad weather, I spent hours drawing action figures on paper, coloring them, backing them on cardboard, then cutting them out and creating whole stories around their lives.
Our interexistence assures that there is an effect for every intention, action, decision and word. For good or for evil, the people we are in both private and in public, take on life or death and collectively create the world we live in.
If love is an attraction, then love may be the first. If life is the source of all creation, then love might be the point of action. Let life and love live together Let's love win over life forever.
President Obama is doing the right thing by offering young immigrants, most often in this country through no action of their own, a chance to live and work openly, free from the fear of deportation.
There are thousands of inspirational stories waiting to be told about young women who yearn for a great education. They are stories of struggle and stories of success, and they will inspire others to take action and work to change lives.
When you are thrown onto the stage at 17 in such an enormous way, it becomes living on the edge because every step you take, every word you speak, every action you do becomes headline news. And it became, for me, life or death.
Books are but waste paper unless we spend in action the wisdom we get from thought - asleep. When we are weary of the living, we may repair to the dead, who have nothing of peevishness, pride, or design in their conversation.
You never hear of a live-action studio that has been making so-so films looking over at a studio that's making great movies and going, 'Oh, we see the difference - we're using a different camera.'
Translating any insights I have for strangers' lives into positive action in my own has proved a challenge. While I've learned a lot about what everyone else is thinking, I fail miserably to use such knowledge in my private relationships.
Let's not deceive ourselves by always praying to God to help us succeed in life, but then turn around and starve our dreams from actions; yet expecting God to perform some miracles in our lives.
The friends who would forsake you for choosing to live a positive life, would also leave you if you find yourself going through some painful consequences due to some negative decisions and actions.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.
Vegetables, which are the lowest in the scale of living things, are fed by roots, which, implanted in the native soil, select by the action of a peculiar mechanism, different subjects, which serve to increase and to nourish them.
I think the biggest difference is in live action, you show up, and there's a set there and a ground to stand on, at least, and in animation, there's kinda nothing. You are making decisions on everything.
Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
Animated films are so precisely engineered - right down to forming lines of dialogue with words pulled from several different takes - how do you translate that spontaneity from the live-action to the digital realm?
