I came into music because I thought the presentation of poetry wasn't vibrant enough. So I merged improvised poetry with basic rock chords.
There is no singular 'reason' why Africans use fractals, any more than a singular reason why Americans like rock music. Such enormous cultural practices just cover too much social terrain.
I don't limit my taste. There's some jazz that I like and there's some opera. I've been listening to what was essentially country music, but it crossed over to rock.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
Every girl likes to just rock out when they put music on in their room - I learned that personally when fans would tell us how much they loved to make up their own dances to Cheetah Girls songs.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
So when you enjoy the beats, the rock music - maybe even toned down with an orchestra - you are enjoying the spirit of the black race. And that's what I emphasize to the students.
Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
It often seemed like we had become a nation where the only heroes were rock singers and ball players and that there were no large men of probity who could be called upon for the task.
'Punk rock' is a word used by dilettantes and heartless manipulators about music that takes up the energies, the bodies, the hearts, the souls, the time and the minds of young men who give everything they have to it.
I became the toast of London. A lot of people I met came from these really decadent families where the married men were gay and no one thought anything about it.
In 'Friday Night Lights,' the relationship between the coach and his wife, that marriage was something that you couldn't really understand until you actually saw it exist on film.
Willard: [voice-over] The crew were mostly kids; rock & rollers with one foot in their grave.
The most influential thing was the two Chris Rock specials that came out when I was in high school. I was obsessed with that stuff.
I'm the renegade of funk. I've made house, techno, rock, funk, reggae... That's why I've been on so many different labels.
I think rock 'n' roll would become exponentially, considerably more difficult to perform past about 65.
I like songs in all different genres and types. My production and songwriting is everything from pop rock to hip-hop and everything in between.
The shot [in the 1956 film ] with Dorothy Malone walking down the stairs makes all rock videos ever after resemble forgotten, anemic nuns.
People want to talk about whether I have rock cred, whether I'm selling out, the theatricality, the gay stuff... Chill out! And just enjoy yourself.
Rock Hudson let his gay agent marry him off to his secretary because he didn't want people to get the right idea.
Plus, I very much like the feeling of height, and buildings have even more of a feeling of height than rock faces.
