Some people ask the secret of our long marriage. We take time to go to a restaurant two times a week. A little candlelight, dinner, soft music and dancing. She goes Tuesdays, I go Fridays.
The main prank that we play with props is for people's birthdays. The special effects people will put a little explosive in the cake so it blows up in their face - that's always fun to play on a guest star, or one of the trainees or someone who's new...
The book is really, really dark, to the point where some people that I've talked to have said that it could be a series. And I'm like, Where? VH1? It's a little hard for VH1.
That's one thing about Hollywood. People don't always want what's real. People always want a little more. So for me, it's a compromise. Here you go, that hyper-reality.
I'd stand in line for Confession with old people and little kids, and as the line moved up, I knew when I got into the box that I would lie! Again!
All my life, since the time I was little, has been a long distraction. At least that is the way some people want to perceive it, but for me, it's given me a lot of strength.
I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.
I'm collector of stuff that people make with their brain. I keep them in little jars and I take them out and play with them sometimes too. The stuff, not the people.
I've always known and been interested in people who are a little bit off the norm. I like to call attention to the idea that they are there, that they are real people, not invisible.
I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
It's illegal to be gay in Little Rock - this is such a reality for so many people, but once people get to these bubbles of New York or L.A. or Boulder, Colorado, they forget.
I hope I make people feel better. I hope I take people out of their situations a little bit and make them happier. That's really why I do what I do.
I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it's the ideological framing of the debate that scares me.
Some comics don't like it when people talk during the set, and it does get a little bit annoying after awhile, but I basically let people dictate what jokes I'm going to do.
It's a natural thing for people to say, you know, Who's in this book? I find myself get ting a little defensive. People come along and I'm waiting for that first question.
I play a lot of, maybe a little bit, cartoonish people. I've been a Bond villain, and I play a lot of villains, people who want to take over something.
The worst thing to call somebody is crazy. It's dismissive. "I don't understand this person. So they're crazy." That's bullshit. These people are not crazy. They strong people. Maybe their environment is a little sick.
People will kill you. Over time. They will shave out every last morsel of fun in you with little, harmless sounding phrases that people uses every day, like: 'Be realistic!'" [ (2009)]
Some people think that the truth can be hidden with a little cover-up and decoration. But as time goes by, what is true is revealed, and what is fake fades away.
I think a lot of the American people feel more than a little disappointed that the high-water mark for human exploration was 1969. The dream of human space travel has almost died for a lot of people.
I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
