Eli: What'd you say? Richie: Hmm? Eli: What? Richie: I didn't say anything. Eli: When? Right now? [a pause] Eli: I'm sorry, don't listen to me. I'm on mescaline. I've been spaced out all day. Richie: Did you say you're on mescaline? Eli: I did, indee...
Joe Oramas: Hey listen, if you guys do something later, can I join you? Finbar McBride: We're not gonna do something. Joe Oramas: No, I know, but if you do, can I join you? Finbar McBride: We're not gonna do something later. Joe Oramas: Okay, but, if...
Vaughan Cunningham: Listen, everyone, I've had a few glasses of wine and that tends to make me emotional. It came over me in a rush. I just want you to know that I care about each and every person at this table. Linda: Thank you, Vaughan. We care abo...
Dwight: It wasn't "Stop." Shellie wasn't saying "Stop." If I had waited and listened to her, I would've known. I could've warned the girls to go easy. To settle for scaring them off. Shellie didn't say "Stop," she said "Cop." He's a *cop*. Detective ...
Shrek: Listen, little donkey, take a look at me! What am I? Donkey: Ah... really tall? Shrek: No! I'm an OGRE! You know, "grab your torch and pitchforks!" Doesn't that bother you? Donkey: Nope. Shrek: Really? Donkey: Really, really. Shrek: [taken aba...
Teddy Daniels: After she tried to kill herself the first time, Dolores told me she... she had an insect living inside her brain. She could feel it clicking across her skull, just... pulling the wires, just for fun. She told me that. She told me that ...
[Khan, about to put Ceti Eels in Terrell and Chekov's ears] Khan: You see, their young enter through the ears and wrap themselves around the cerebral cortex. This has the effect of rendering the victim extremely susceptible to suggestion. Later, as t...
[after Sarah tries to escape and bites Reese's hand] Kyle Reese: Cyborgs don't feel pain. I do. Don't do that again. Sarah Connor: [weakly] Just let me go! Kyle Reese: Listen, and understand! That Terminator is out there! It can't be bargained with. ...
Homer, the aged poet: Where are my heroes? Where are you, my children? Where are my own, the curious ones, the first, the original ones? Name me, muse, the immortal singer who, abandoned by those who listened to him, lost his voice. He who, from the ...
[first lines] Bill, candy store owner: All right, all right, all right, what's it going to be? A Triple Cream Cup for Christopher. A Sizzler for June Marie. And listen! [the children fall silent] Bill, candy store owner: Wonka's got a new one today. ...
Zeke: Listen, kid. Are you gonna try and let that old Gulch heifer try and buffalo ya'? She ain't nothing to be afraid of. Have a little courage, that's all. Dorothy: I'm not afraid of her. Zeke: Well then, next time she squawks, walk right up to her...
R.K. Maroon: What are you going to do to me, Valiant? Eddie Valiant: I'm going to listen to you spin the Cloverleaf scenario. The story of greed, sex and murder. And the parts that I don't like, I'm going to edit out. R.K. Maroon: You got it all wron...
Logan: Listen to me, you piece of shit! I watched a lot of good people die, and I came back to stop that from happening! Charles Xavier: We all gotta die sometime. [walks off] Hank McCoy: [to Logan] I told you, there's no professor here.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, beca...
It was a free-for-all with music when I was growing up. My mother was a huge music fanatic so I was listening to everything from country to heavy metal to Indigo Girls to Elton John. I guess when I was really young I didn't like Willie Nelson, and sh...
Narrator: As he listened, Tom began to realize that these stories weren't routinely told. These were stories one had to earn. He could feel the wall coming down. He wondered if anyone else had made it this far. Which is why the next six words changed...
John Milner: What the hell's goin' on here, Toad? Hey, man, are you all right? Terry Fields: Yeah, I'll die soon, then it'll all be over, John. Debbie Dunham: Wow, you're just like the Lone Ranger. John Milner: Yeah, yeah. Listen, are you with him? T...
Ripley: Will you listen to me, Parker? Shut up! Parker: Let's hear it. Let's hear it. Ripley: It's using the air shafts. Parker: You don't know that. Ripley: That's the only way. We'll move in pairs. We'll go step by step and cut off every bulkhead a...
Noah Dietrich: Nice day. Howard Hughes: Yeah, very funny. Noah Dietrich: Listen, I got a call from Houston. They're getting real nervous about all this. Howard Hughes: Stop showing them the damn bills, Noah. Noah Dietrich: That would be illegal, Howa...
Meurice: Howdy stranger. Ray: Meurice. Sorry I didn't show last night. Meurice: Wasn't too busy. You missed a good one, though. This white guy walks in about one o'clock, asks if we have a discount for alcoholics... I tell him to get lost, but Marty'...
When you write a story, don't just write it - live it; When putting words into the mouth of a protagonist (or any character) imagine yourself saying them and while writing about the reaction of the listener, write it the way you would react. Let the ...
