Today, the notion of progress in a single line without goal or limit seems perhaps the most parochial notion of a very parochial century.
Everything has a finsh line. You just have to keep moving forward until you cross it.
Those are my favorite kind of parts to do, just being a goofball and seeing how far you can go with something until you're just way out of line.
The fight is won or lost far away from witnesses - behind the lines, in the gym, and out there on the road, long before I dance under those lights.
The bottom line is I'm a slow zombie guy - I'm always a slow zombie guy but I also know I'm in the minority.
I'm unable to do the thing that Broadway actors do in plays, sometimes for years. The same exact blocking, the same exact lines. I'm a little bit uncomfortable with that. Every night I'm looking for ways to try something else.
What’s interesting about the relationship between gay men and women is there can be a lot of affection, but there’s a line that you don’t cross.
People who don't vote have no line of credit with people who are elected and thus pose no threat to those who act against our interests.
There's a fine line between what would characterize you as a troglodyte and what would characterize you as a brilliant, avant-garde, forward-thinking genius. There's some middle ground.
There are still things technically about films that I think are a mystery to me and I want to remain a mystery. I don't particularly want to know what everyone's job is because I've got lines to learn.
If you criticize what you’re doing too early you’ll never write the first line.” [ , interview with Jodi Daynard, No. 113, Winter II 1989]
I'm still trying to figure out what the right line is between myself and the people I play. Sometimes I go too far one way or too far the other.
I've got two girls, and they both make beautiful drawings. One of them really has a gift for the way that she colors around certain lines.
Oftentimes, what seems to be a street lunatic charging at me spouting gibberish turns out to be a devoted 'Simpsons' fan quoting their favorite line.
Whenever you're reporting, there's always something you can't say or write, but the questions, you always want to get as close to that line as possible. You want to ask the tough questions.
I think the bottom line for me and for Newsweek is that there were a lot of - we did retract this specific matter about the Koran and the toilet for the reasons that you just cited.
You can’t walk till the end on an active railway line and you can’t walk till the end on the road of lies, because sooner or later you collide with the truth!
There's the psychotic ambitious side of myself that wants a fashion line and my own network and be like a combination of Oprah and Gwen Stefani. And have a perfume. Definitely a perfume.
Being the first to do something like this also registers a lot of attention that the line might not have gotten if all four books had just appeared from one company.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
I auditioned for 'Jake in Progress,' and I was nervous because I had a big crush on John Stamos. I was totally thrown off and couldn't remember my lines.
