Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world.
Death is the ultimate enemy - and I find nothing reproachable in those who rage mightily against the dying of the light.
Because of its tremendous solemnity death is the light in which great passions, both good and bad, become transparent, no longer limited by outward appearences.
Nothing escapes God's knowledge. This is proved by the witness of the Scriptures and the analogy of the sun, which, although created, yet by its light or heat enters into all things.
Darkness is the only path to light. It is not our wonderful gifts that make us closer to God: it's using our garbage to transform ourselves. This is the key that unlocks the door that opens to God.
'Let the Great World Spin' at the end talks a lot about connections and light and possibility and the fact that the world doesn't end. Even in the darkest times, we have to go on.
I like literature that you respond to in some way. You laugh, you cry, you turn the light on - that's great, it's eliciting a response by proxy.
I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
We're loosely calling it The River Project, but hopefully the pieces that we put together will be educational pieces that will throw some light on the situation as to what kind of jeopardy may be surrounding our great rivers.
One of the things you see in New York is that offices keep their lights on at night. They're proud of their building. Great. But they must find another way to be proud without draining energy.
The great thing about 'Friday Night Lights,' unlike so many other shows and movies, is that it doesn't take the obvious beats to pull your heartstrings or manipulate you.
I think my life in general, like that of any human being, has highs and lows, has moments of great light and moments of great darkness.
Like any good tree that one would hope to grow, we must set our roots deep into the ground so that what is real will prosper in the Light of Love.
The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.
When we made that album with Gary Moore, I was still kind of searching for the right direction for myself. Although the music is quite good the direction was like a box of fireworks that caught light all at the same time.
You can tell it's good if you light it and a blue flame comes up; that means it's good moonshine and it won't make you go blind.
People desire to separate their worlds into polarities of dark and light, ugly and beautiful, good and evil, right and wrong, inside and outside. Polarities serve us in our learning and growth, but as souls we are all.
If I'm going away for longer than a week I take a suitcase and check it in but I'm good at packing light and quick - years of modelling, travelling and living out of a suitcase has trained me well.
There's nothing particularly dark in my past... I live in the light. My disposition is basically happy. I have a good life.
I don't feel I have to write deep and meaningful songs; they can be light and meaningless. It has to do with the place I am in my life, a really good place.
It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.