Sometimes losses in life are not losses at all. They are simply the evidence God provides, in order to build a story so profound, that it will cause social change.
It takes a hell of a lot of courage to walk into your own story, but to be the hero of your own life you have to rescue yourself.
As an author, I breathe life into each and every character within the stories that I write. But it is the reader who gives them their souls.
I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.
My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.
The impact of the magazine was very strong. As I said, it portrayed dinosaurs as part of the geological history, part of the story of life on earth. It struck that paleontology was the career for me.
Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly. Maybe I'm drawn to it as a story element.
Gradually it occurred to me that we spend a great deal of life asleep and that dreams are little narratives, little stories. I thought, 'Who's choreographing this stuff?'
That's why Tennessee Williams was a great writer. Poetically, dramatically, it was fantastic stuff. And with the landscape, the losers in life populating it. His short stories have got rhythm, something musical about them.
Are you loving having these great iconic stories back as much as I am? 'One Life' is back in action and I love putting my 'Blair on' again.
My sister was drowning in the ocean once, and my brother and I dove in and saved her. True story. She owes us her life. It's great leverage; we abuse it all the time!
I'm a sci-fi girl. If I can have anything in life, I'd want tons of great science-fiction movies and stories. It's so progressive, beautiful, and imaginative.
Life on earth is such a good story you cannot afford to miss the beginning... Beneath our superficial differences we are all of us walking communities of bacteria. The world shimmers, a pointillist landscape made of tiny living beings.
There are a lot of things I never did, because I believe in watching those true Hollywood stories and I see how easy it is to lose track of your life.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
'Deadline' is the story of a young man forced to discover who he is, and what's important in life, during the short span of his senior year in high school.
The second song is called 'Easy As Life,' which really describes the complete conflict of the whole story, her struggle of being in love with the enemy and also being in love with her people.
I like stories that have a social impact and social attributes to them. That's the whole reason we make films: to broaden our limited view of things and to see how life is evolving elsewhere.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I don't get controversial, I don't get political and I don't tell you what to do with your life. I just go out there and tell some stories, and people can relate.
In Afghanistan, life is so fragile; who knows what the next week will bring? That fragility really affects the way you're able to report, and the kind of stories people will tell you.