MYTH: Beautiful Writing Trumps All REALITY: Storytelling Trumps Beautiful Writing, Every Time
If I ask you to think about something, you can decide not to. But if I make you feel something? Now I have your attention.
How could she understand it then——that one of her greatest blessings would come only through her greatest wound?
But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of 'The Three Bears', for instance, is "Never break into someone else's house". The moral of 'Snow White' is...
A student, filled with emotion and crying, implored, "Why is there so much suffering?" Suzuki Roshi replied, "No reason.
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. I don't always write in orde...
I used to publish these stories in 32-page comics, and I would either do short stories or break the long ones up into chunks so there would be some variety inside the comic. But since then, people have been doing more and more long, standalone works,...
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow manag...
I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write t...
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what ...
My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just t...
A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries...
Everything we do really is just a little marker on the long road to death. And sometimes that’s overwhelmingly depressing to me, and sometimes it makes me feel kinship and forgiveness. We’ve all got the same ending to the story. The way we make t...
My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This...
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other...
There would seem to be four stages in the composition of a story. First comes the germ of the story, then a period of more or less conscious meditation, then the first draft, and finally the revision, which may be simply ‘pencil work’ as John O�...
I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it o...
The first Parikrma school started in a slum where there were 70,000 people living below the poverty line. Our first school was on a rooftop of a building inside the slums, a second story building, the only second story building inside the slums. And ...
I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured l...
I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short s...
You see people, you judge. It's just the human thing to do - good or bad, it's a fact. Like when you get a coffee at Starbucks and the person is rude to you. My mom always says, 'Yeah, but you don't know what kind of day they're having.' You don't kn...
