Not long ago I made a list of Doc Ford books I would like to do, and I came up with 11 pretty easily. I like to let the characters go their own ways and see what happens. I find them fascinating.
I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire.
One lesson I learned from 'The Monstrumologist' was never to get too attached to your own characters. That's harder in practice than in theory. At the end of the third book - which coincided with the end of my contract - I was an emotional wreck. I m...
Everyone’s life is an evolution of emotions, spirit and beliefs. The storyline changes, plots thicken, main characters mature and new spiritual journeys begin. This is true of inspirational authors. Their books represent only the stages of their li...
I selected you because you’re very beautiful and you have an incredibly curvaceous body. I was turned on by you the second I saw your photo. – Bryce Van Der Linden | Unbearable Passion (Book 1), Never Say Never
To call yourself an author takes publishing one book. To call yourself an inspirational author is the work of a lifetime that requires being constantly kicked in the stomach, only to get back up on your feet and show the world how you survived it eac...
Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It w...
Giving consumers the choice of having it all in one big bite means different viewers are in many different places in the book, making it hard to discuss without spoiling the plot. The intervals between first-run programming provide a space for commun...
But he loves the empty hours best of all, when he can walk the aisles and bask in the warmth of the books, their glittering gold letters, their stories softly pulsing between pages just waiting to be opened and read and loved." The Dress Shop of Drea...
The fault I find in our journalism is that it forces us to take an interest in some fresh triviality or other everyday, whereas only three or four books in a lifetime give us anything that is of real importance.
No one wants to read poetry. You have to make it impossible for them to put the poem down--impossible for them to stop reading it, word after word. You have to keep them from closing the book.
In my book, 'The Big Three in Economics,' I found that the press has frequently and prematurely written the obituary of Adam Smith and his free-market philosophy, only to see a new and more vibrant global marketplace reemerge after being savagely att...
I have to accept my role. I will never kill myself like Vincent Van Gogh. Nor will I paint beautiful water lilies like Monet. I can't do that. I'm in the idiot role of being a kiddie book person.
Dare to Dream Yes, if you can dare to dream. Surely you can catch the sunlight's beam. While all else seems to fail. Truth shall forever prevail. (Copyright excerpts from the poem and published poetry book 'From the Silence Within
He's looking at me intensely now like he can read my mind. Which of course, he can. Maybe I'm an open book, or maybe love is like a magnifying glass straight into the souls of those who own your heart.
...and above all, you should not think of writing as a way of earning your living. If you do, your work will smell of your poverty. It will be colored by your weakness and be as thin as your hunger. There are other trades which you can take up: make ...
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
I read things and imagine them and then kind of start trying to kind of take what I imagine and make it visual for everybody else to see. It just happens to be my personal vision, and every person's is going to be different, every book reader.
People think, Hey, I love kids, I want to write children’s books. But they think children are happy. That’s their first mistake. [Messinger, Jonathan. "Guilt for dinner: The Mo Willems interview." . 5 May 2011. Web. 18 November 2011.]
Books appear to be frail and disposable, but they are sacred. You can burn the paper, but the stories live on. In the same way, a poor man or woman is not a burden on society, they are those who survive despite the odds—and when they don’t, they ...
The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.
