We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
Back then I could not understand one word of what I read. Reading did, however, give me heart. Even if you cannot understand what you are reading you can get something from books.
The best books — like the best music or television or movies or comics or video games — can challenge us and force us to think or perceive aspects of life that we may prefer to avoid. In a sense, they threaten us.
Got your fingerprints as evidence all on my body Put your right hand on the book and you were found guilty I can’t wait forever but that’s how it’s gonna be For me they’ll never be Case Closed
Pathological dissociation is characterized by profound, functional amnesias and significant alterations in identity; normal dissociation is expressed primarily in the form of intense absorption with internal stimuli (e.g., daydreams) or external stim...
My Ancestor Series of adventure-thrillers run like a raging river. I'm now in the editing process with my next thriller, "The Apothecary." Please go to my website for excerpts, synopses, and book trailers of all my works: .
My mom was there, in some form, in some sense, in some universe. My mom was still my mom, even if she only lived in books and door locks and the smell of fried tomatoes and old paper. She lived.
A good book is like really loved item at a really good restaurant, every time you go there you order it to see if it tastes like you remember, only to find out it is even BETTER than you remembered!
On romance books: We might assume then that men, major consumers of thrillers, westerns, and detective fiction, enjoy being beaten up, tortured, shot, stabbed dragged by galloping horses, and thrown out of moving vehicles.
So here I am with this double life, one where my grammatically incorrect writing is a nice success with tens of thousands of readers, and another one where my carefully written books are read by a dozen people.
He (Mario Vargas Llosa) looks grave, transported. And there, I think, is the personality that wrote the books: one in which a subversive comic sense and appetite for the ridiculous jostle with an intense, statesmanlike seriousness about the business ...
If a bloke gave you a hundred quid for a book you can bet your life it’s his way, but if all the poor and suffering people raise their hats to you for writing it - that’s different; it makes it worthwhile then.
I don't care how I got here. In the books, when you look at it 10 or 20 years from now, it's not going say how he got here, it's going to say he's here and he represented the team.
I don’t want to re-write the same old book with the same tired techniques. I’d rather bring something new to the table that’s true to me and that people will have a genuine reaction to. That’s the whole point, isn’t it?
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will - with luck - come to me during the actual writing, and it will take me by surprise.
Writing a long and substantial book is like having a friend and companion at your side, to whom you can always turn for comfort and amusement, and whose society becomes more attractive as a new and widening field of interest is lighted in the mind.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the ...
I'm the minority in my house sometimes. My wife is Swedish, and we go to Sweden and everyone is rattling off in Swedish. It's like, 'OK, I can just read a book.'
I review books as a day job, and through the years I've come to view the contemporary memoir as, almost always, a saga of victimization, sometimes by others, sometimes by the self, and sometimes by illness or misfortune, leading, like clockwork, to h...
Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'
