It is the mass dream of inverted self, populous with fears overt and secret, that forms the continuous but gossamer thread upon which are strung as phantom beads all civilizations from the remotest past of record to that of the present day and hour.
I have no choice but to fight them every step of the way. I can't tell you how many other stupid ideas have been proposed over the last two years.
No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it's almost a mirror, and from others it's a matte surface.
If we can think about not the object, but the process of creating the object, in short, we have no constraints. We have processes in our hands that allow us to create structures at all scales that at one point we couldn't even have dreamed of.
We still have very little understanding of how we can tweak form or shape at the genetic level. We certainly haven't unlocked those secrets.
With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh.
I don't think I have a signature style that announces, 'This is a Safdie.' But I think star architects have seized an opportunity to go anywhere in the world to produce meaningless buildings.
Performing arts buildings are complex. The acoustics, the sight lines and all that have to just be perfect. So you begin with just making these things sublime as musical instruments. And if you fail there, you have failed it all.
Except for the projects in Israel, my being Israeli has contributed negatively to my global activity. It is hard for me, for example, to get projects in the Persian Gulf emirates.
If you look at the buildings, you'll find that one part looks as if it was designed by one man, and you go around and look at another facade and it looks as if it was designed by another man, you see.
It's sad when you see most of your friends in the business gone, like Tommy Cooper, Frankie Howard, Eric Morecambe, Roy Castle, Les Dawson. They were very dear to me. You no longer have the chance to bump into them at a celebrity do.
But inspiration? - That's when you come home from abroad and are asked: Well, have you found inspiration? - and fortunately you haven't. But the impressions sink in, of course, and may emerge later: None of us has invented the house; that was done ma...
I used to think that each phase of life was the end. But now that my view on life is more or less fixed, I believe that change is a great thing. In fact, it's the only real absolute in the world.
Once I tried to make a standardization of staircases. Probably that is one of the oldest of the standardizations. Of course, we design new staircase steps every day in connection with all our houses, but a standardized step depends on the height of t...
There is no one-size-fits-all solution to the challenges facing our cities or to the housing crisis, but the two issues need to be considered together. From an urban design and planning point of view, the well-connected open city is a powerful paradi...
I wanted to be a classical actress. I plodded along. I went to junior college in San Francisco, I was in a Repertory Company. My hero was Eva Le Gallienne, who was a great theater actress at the turn of the century who created her own company, and sh...
I really feel that my life story is a continuation of the Great American Dream - the immigrant who comes to this country and is allowed to excel. How many other countries would let me do that?
My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy...
Usually, if I want to just listen to something or sing along to something, I'll put on some Gavin DeGraw or some Billy Joel. Occasionally, if I am feeling vocally in really great shape, I will sing Jean Valjean's soliloquy from 'Les Miz' or something...
The feudal concept of self-preservation is poisoned at the core by the virulent assumption of master and man, of potentate and slave, of external and internal suppression of the life urge of the only one - of its faith in human sacrifice as a means o...
True as this is, it is also true that for one who won through there were many who gained nothing, and it was, and is, the sheer weight of numbers of those who failed of this that has made their influence on the modern life as pervasive and controllin...
