Sometimes we need fellow radicals to remind us of what we, as writers, have set out to proclaim.
Cuando se le agotaba el fuego, ingería de nuevo la lava que había vomitado o devoraba las armas de los enemigos caídos y las fundía en el crisol que tenía por estómago.
A ceux qui, absorbés maintenant dans le problème de "la machine à habiter", déclaraient que "l'architecture c'est servir", nous avons répondu: "L'architecture c'est émouvoir". Et nous avons été taxé de "poète", avec dédain
All I say is: Let us leave les folles alone; let's just leave them be. Don't judge them. You are not superior to them - don't put them down.
I miei gridi erano ben atroci, poiché le riviste che prima mi sollecitavano, ora mi respingono; ma la giustizia non può venire soffocata perché arde. Io non domando fama, io domando ascolto.
Non innamorarti mai di nessuno" le disse lei in quel momento, mentre prendeva i documenti e li riponeva nel cassetto in cui aveva custodito l'anello. "Ci guadagnerai solo un cuore in pezzi, nient'altro
« L'écrit ça arrive comme le vent, c'est nu, c'est de l'encre, c'est l'écrit, et ça passe comme rien d'autre ne passe dans la vie, rien de plus, sauf elle, la vie. »
Le coeur a ses raisons que la raison ne connait point. French. Pascal. The heart has its reasons, whereof reason knows nothing.
Ma che cosa posso raccontare a questa ragazza, ora, in questa fredda mattina ventosa al Gritti Palace Hotel? “Che cosa vorresti sapere, Figlia?” le chiese “Tutto quanto.” “Va bene” disse il colonnello. “Incominciamo.
New York grew up before the automobile. And even though it's full of cars, its shape and form didn't get created around the automobile.
It's fun, but the fun is where it always was. I mean, it's still fun to strap on my Les Paul in the basement and turn up the Marshall amp. I'm still 15. I still enjoy that as much as I ever did.
The bottom line may be that my inventing buildings is, indeed, a very private kind of activity. But it's done to be shared. It is comforting and consoling. From the reactions I get I can see I'm not doing something strange.
If you're lucky, and a building succeeds, the real product has many more dimensions than you can ever imagine. You have the sun, the light, the rain, the birds, the feel.
In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.
In terms of facial creams or lotions, I try to switch it up and stay as natural as possible. l like Le Mer facial cream for when I have an event. It's very rich and sometimes too rich for some people, but I like it.
I designed a guitar for Ibanez and then they started manufacturing it - it's called the Jem - it's 26 years old and I still play it. As a kid I liked Les Pauls and Strats, but they had limitations for the kind of playing I wanted to do.
No matter what I've done, what I've tried to do, everybody says it can't be done. And it's continuous across the complete spectrum of the various kind of realities that you confront with your ideas.
And you finally get to a consensus, where you get a sense of what really ought to be done, and then they give it to me and then I draw it. I mean draw it in the sense, the philosophical sense.
Let me just say something that I forgot, I also hoped and this was very true in the beginning - that this would also be a place that people would be able to walk in to the fountain and use it in a nice way of reading and examining the quotations on t...
Cities and landscapes are illustrations of our spiritual and material worth. They not only express our values but give them a tangible reality. They determine the way in which we use or squander our energy, time, and land resources.
The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is ...
