Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot.
There's only one thing that regularly keeps me up at night. Working with the greatest people in the world and knowing that they are counting on me to build a company that endures - a company where they can grow professionally. A company where they ca...
My work is on the one hand laboured, and on the other completely happenstance and intuitive. But that's the swish in the work, I think. It's really important to me that the work isn't just sitting on top of something, that the materials are woven tog...
A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the ...
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to d...
When I work, I work very hard. When I don't work, I have to do something where my endeavor can totally take me off what I do professionally, like sailing. It takes all your attention.
I can't read all the books I want to read, I can't watch all the phenomena that interest me in the world. The work calls me, and sometimes I wonder whether this is an obsession and I should drop it, or it's a necessity I'm obliged to fulfill.
A lot of data, whether it's imagery or other kinds of things, work really well when it's geographically laid out. I'm talking about imagery, statistics, incidents and other things that happen around the globe.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Some people would ask: 'You are not the one who does the painting, or shot the work, how can it be your work?' But I was the one who chose which site we should use, and which assistant helps me to do the painting, or the shot.
Even though what I do does enter the market, it doesn't interest me. I am exclusively concerned with the formal qualities of my work. It is about the need and the right to self-expression.
I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.
Some people try to paint in my style. Some simply sell pirated copies of my work. Some claim to be my publisher or agent or even my exclusive representative, when they are not.
In some cases we've been building tools that are specific to Linux for the desktop, and they only work on Linux, but I see two major projects that are wildly, wildly successful: Mozilla and OpenOffice, and those two programs are cross platform.
I have just gone over my comet computations again, and it is humiliating to perceive how very little more I know than I did seven years ago when I first did this kind of work.
I made observations for three hours last night, and am almost ill today from fatigue; still I have worked all day, trying to reduce the places, and mean to work hard again tonight.
I somehow sensed when I was a teenager that I wanted to do my own work. I was quite clear that I didn't want to be an interpretative kind of artist. I had an intuition about wanting to create my own form, in one way or another, whatever that would be...
Those who say that the West and Islam are eternally irreconcilable have more in common with the Islam extremists than they might like to think, for it's the very same argument of course advanced by Al-Qaida. And they do have it wrong. We need to work...
It's because I work in ethics, and, more specifically, applied ethics, that I think it's important that if you have things to say that you think are right and you think could make the world a better place, it's important that many people read about t...
I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours.
Back in the '40s and early '50s, building simple electronic projects was a popular hobby of many people. Back then, you could buy, you know, a few parts and - with tubes and build something on your kitchen table, and it would actually work.
