I make a model of the site. There are some obvious things: where the entrance should be, where the cars have to go in. You start to get the scale of it. You understand the client's needs, and what the client is hoping for and yearning for.
I was in Peru and visited a building near Lima built by the Incas. It was low in height, with no windows at all, but all the way in the back there was air movement. And I couldn't figure out how they'd done it; it was incredible.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
Although I had resigned my commission as an officer two years before, I immediately left Switzerland, accompanied by my wife, in order to report for duty. As it happened, a wire reached me a day later calling me to the colors.
My wife volunteered her services as Red Cross nurse, insisting upon being sent to the front, in order to be as near me as could be, but it developed later that no nurse was allowed to go farther than the large troop hospitals far in the rear of the a...
In the 1970s, New York City avoided bankruptcy because wise political leaders like Gov. Hugh L. Carey believed both in strong labor unions and robust banks and companies.
When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
I'm quite glad I never learned to play the guitar, because I think I'd write songs that were more classically structured. As it is, I've had to create my own way of writing, which isn't typical. Everything's a big crescendo.
There are a few things that I will hopefully be credited for as a pioneer. One is my four-mallet playing. Another one is the starting what was first called jazz rock in 1967 when I started my first band, later became jazz fusion by the 1970s.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
One is almost tempted to say... at last I can almost see a bond. But that will never be, for a bond does not really exist at all: it is a most convenient fiction which, as we have seen, is convenient both to experimental and theoretical chemists.
The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
I always told the people at Cal Arts that if they wanted me to do Jazz studies, first of all, there couldn't be a big band within 500 miles and that I could do what I wanted to do. And they said I could.
I've been a little more fortunate, perhaps, than a lot of people have, for the simple reason that I've constantly been moving: so nobody can hit me - you know what I mean? Protesting is not the answer - not along those lines.
And I'm happy to say that I'm able to find people wherever I go that are not black, not white - they're just human beings. That's where I am, where I've been and where I intend to stay.
A common fallacy in much of the adverse criticism to which science is subjected today is that it claims certainty, infallibility and complete emotional objectivity. It would be more nearly true to say that it is based upon wonder, adventure and hope.
I'd been in a vicious cycle and circle of people and couldn't see my way out. So I picked myself up one day about 15 years ago and moved where I didn't know anyone.
I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.
Creativity is more than just being different. Anybody can play weird-- that's easy. What's hard is to be as simple as Bach. Making the simple complicated is commonplace--making the complicated simple, awesomely simple--that's creativity.
My struggle has been to return painting to the tangible object, which is like returning the personality to touching and feeling the world around it, to offset the tendency to vagueness and abstraction. To remind people of practical activity, to sugge...
When I was younger, I was somewhat of an idealist. I guess I'm a little bit more of a realist now. I think there's a lot that can be done to make the world a better place, but it's more about choosing your battles.
