Formulating the proposal is about 80% of the actual time of the process. In the end, the time spent filming, editing and postproduction is a very small proportion of the total time you spend in the production of the film.
I'm going to Yoshi's. I'm taking a few gigs. I'm playing. I'm not going to play all the time. I'm going to take it easy and take it slow and warm up so I can come back.
If you asked me to go back to being 14 or 15, I couldn't - it was a terrifying time. I was so awkward in my own skin. I used to hide behind my hair because I was so ridiculously self-conscious.
The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.
I soon became convinced... that all the theorizing would be empty brain exercise and therefore a waste of time unless one first ascertained what the population of the universe really consists of.
I'm really looking forward to playing in Copenhagen again. Last time I stayed as long as I could, took pictures, signed autographs, and hung out until they through me out of the place!
Then I thought I was going to be a photographer. I tried a hand at darkroom technician. I played in a band. It took me quite some time to discover that I wanted to write.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
I think it was Duke Ellington who once said that we're always most pleased with our current record. I mean, you have to assume that you learn from one, and you do something better next time.
For some years I have spent my time on exactly these questions - both in thinking about ways to prevent war, and in thinking about how to fight, survive, and terminate a war, should it occur.
And lastly, the political revolutions from 1911 to the present time have done more to bring about tremendous social changes everywhere than even the economic and industrial changes and the new schools.
As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.
I was 16 when I got a scholarship to study classical composition at a conservatory. By that time I had already listened to Scottish folksong with my mother, sung in church choirs, and had sung solo with Benjamin Britten conducting.
Speed eventually neared its peak. The records forced me to work ever harder to drop a less and less time. These time trials came to feel like races, which are fun to run sporadically but not daily.
The results would have stayed on the watch face until the batteries died. But trying to make time stand still this way would have been a mistake. It is just as important to erase times eventually as to save them at first.
When running to fill a time quota, however, the reverse happens. You can't make that time pass any faster by rushing, so you settle into a pace that feels right to you at the moment. Each minute above a quota is a little victory.
I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.
It's hard 'coz you have got different time zones; you can't sleep and y'know, it's boring way for the show to happen, but you do off the stage. Y'know, onstage it's all better.
As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was to come later for many of us.
I don't know about the time those songs were written. But he was jamming with someone in Colorado or San Francisco, and I'm sure he was working on the lyrics right up to the show because they were really relevant for the situation.
And I'll never forget the first time I took the possibility to project sound every day for six or seven hours with special devices which were built for me.