I will seize fate by the throat; it shall certainly never wholly overcome me.
Anything I've ever read by John Irving has been really well written.
To be an artist, you need to exist in a world of silence.
There are sometimes problems for which there is no immediate solution, and there are sometimes problems for which there is no solution.
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
Full, saturated colours have an emotional significance I want to avoid.
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
Things get much easier if one jumps on the bandwagon of existing trends.
Religious leaders need to be held accountable for their ideas.
I wish that person outside would stop coughing.
I'd like to feel that whatever I play is a result of whatever I've heard.
The atheistic idea is so nonsensical that I cannot put it into words.
In a small room one does not say what one would in a large room.
I have decided that I won't take up assignments that don't interest me.
By the visual pattern, but mostly I'm guided entirely by my ear, what I hear.
A person improvising is sometimes very fortunate that just at that second things coincide.
If I fancy a girl, I'll tell her. I'll say: 'You're fit.'
I guess I've always liked the idea of being an artist.
Who belonged to no one, who belonged to everyone. Who had nothing, who wanted everything.
Like a groupie incognito posing as a real singer, life imitates art.
Live fast. Die young. Be wild. Have fun.
