It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
Oh, I was a real Nirvana kid. I got into jazz because I listened to a lot of metal, Megadeth and that, and those guys play really fast and are virtuosos. I wanted to learn more about it, and I discovered that a lot of jazz guys played really fast, to...
Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats ...
I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one part...
I now possess the tools as a producer and a songwriter to really just go out and make smashes all day long. I could make an album full of smash records that got pop appeal. But my heart is in hip-hop. My heart is in telling stories. And it's like the...
As much as it might look like, to someone else, that I'm successful, I never feel like I'm anywhere. The further I go, I still feel equally further from my eventual goal. Because as I grow, I get more goals. I'm never content.
I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's ...
My heart gets very tender when it comes to playing someone who has wronged someone else. I almost feel like it's easier for me to play having been wronged than it is to actually feel like you had an active part in hurting someone.
I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of ...
I started out doing multiple characters from day one, when I got my fist job in 'Dumbo's Circus.' I'm used to getting in an argument with myself, throwing myself off a cliff, patching myself up and brushing myself off with an arm around my shoulder.
The structural thinking I use in the concert hall is unnecessary to most film projects, and most film composers make better use of the enormous range of pop and other materials and techniques required of them than I probably would, faced with the sam...
I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.
Investment banks started recruiting at Harvard back in the day, and they'd fly me down to New York City and I was so poor so I would take advantage of the free flight, the per diem, the hotel. And then I would go audition for stuff.
One of the skills you have to master in theater is the ability to make the audience believe that things that aren't there are there - just like when you're acting against CGI. Also, in a theater, the people in the back row can't see the whites of you...
Funnily enough, I was a big fan of the show and had been watching it - along with everybody else - and had never imagined that I would be on it. You kind of look at shows and think, 'Oh, I wish I had done that one.' But I didn't really see myself on ...
I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstr...
The main difference is, in 'Cold Case,' the victim sometimes had been dead for decades - you didn't have the advantage of being able to interview the victim. You had to piece together the circumstances surrounding the crime from witnesses and other e...
John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off.
I moved to Kentish Town from Chelsea in 1983, partly because I had a lot of friends already living in the area and because it took an hour off the journey to my house in Suffolk. It has a villagey feel, and it's still a very mixed community, which I ...
We can't thank Dave enough. He could call me if my wife was about to have a baby and tell me he needed tonight for his show and I'd find some way to get her to let me head to New York.
