In New York, you are competing with Times Square lights and all of that, so you've got to be 300 pounds and crazy to get anyone's attention. Then, you can refine yourself. I always knew under those 300 pounds and tracksuits was a refined, slim, digni...
In Staten Island, when you have video showing the alleged chokehold used on Eric Garner, why not go to trial and have the officer(s) explain the tape, and then this jury can determine guilt or innocence? The tape should guarantee that there should be...
When you loot or behave violently, you give grounds to those that try to justify illegal police abuse. You become the poster child for them to say, 'See, we have no choice but to shoot and kill, or use a chokehold, because just look at the way they b...
Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk roc...
'A Tree Grows in Brooklyn' by Betty Smith is one of my favorites. Even though it doesn't have any monsters or crazy fantasy in it, it's such a raw story, and I can really relate to the characters. I think it's a beautiful story.
I can pretty much call anyone, whether at the White House, in a company or in the media. I have access, because of the silliness of the entertainment world and how people react to it. It gave me an enormous opportunity to do anything I really want to...
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
I'll get depressed out on the road simply because I'm not being the mama that's cooking supper every night, or that's fixing my husband's plate and my baby's plate. You miss those things, and I miss them.
I want to get out there and do anything, but I still don't know about riding roller coasters. I've never been on one. There is something about being strapped in and on a track; I always feel like we're going to be launched off somewhere.
I was really into films when I was younger, but I feel like a bit of a phony sometimes - I started acting because I didn't know what else to do. I filled in all these university application forms and honestly didn't want to do any of the courses.
I think dates considered super corny and cheesy - whether it's going bowling or miniature golf or something where you can be competitive and just have fun with each other - those always make the most memorable dates!
To get to New Orleans you don't pass through anywhere else. That geographical location, being aloof, lets it hold onto the ritual of its own pace more than other places that have to keep up with the progress.
Body-shaming is something I feel really strongly about. I think about my niece, I think about my friends who have daughters being on the Internet and reading these things, and it just makes me furious. It makes me so angry.
I always just sit down at the piano and make the main hook - what I want the track to be about melodically - and then I'll build everything else around that. But growing up, I did not play any instruments.
I used to produce this band, Dragons of Zynth. There's something about their live shows, which, to me, is ultimate. I mean, you feel like somebody could get hurt when you go see them live.
Relationship doesn’t remain, We resonate on different flames, I could cut you down again, If you were like all other men, If you were like all other men, I know that I could shut you down again
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
Every guitarist I would cross paths with would tell me that I should have a flashy guitar, whatever the latest fashion model was, and I used to say, 'Why? Mine works, doesn't it? It's a piece of wood and six strings, and it works.'
I'd been round the world a hundred times and had started to forget where I'd been. I knew I'd been there: it said it on the tour map. I could remember the name of the city but I couldn't remember what it was like - it was a massive blur.
I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
