Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
I feel old and vulnerable. I now realise that I knew nothing and know nothing, but back when my career was beginning, I thought I was a man when, in fact, I was a dewy-eyed boy who'd not seen an avocado or eaten a tomato.
I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.
I was hanging out with no one under 21. I thought that if I really wanted to fit in I had to... show them that I was in a way just as adult as they were, 'cause I could hold my own just as well as they could, if not better.
I don't think they like the idea that the people who are buying the record get to choose what goes out, because it's their job. The fans even pre-ordered stock to make sure that I had some sort of presence.
I feel that David took a risk with me. I have a sense that by starting off in the theatre and going off to do films you are seen to sell out in some way. I don't hold truck with that, but you can't stop people from feeling it.
I was emancipated at 15 and off to Japan on a contract working. I felt for my parents. I apologized profusely years later, but I was just very strong-willed and strong-minded and had my own idea - thought outside of the box.
I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is.
We're gonna try to have the baby a little while before we name it. We don't want to put it out there, like try and turn him into something before we meet the kid. We want to get a feel for who this kid is before we name him.
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
Well, I've been a professional racer for nine years. And if I could get it to pay me as much as acting, I'd give up all the rest in a second. Working in television, however, has made me accustomed to a certain lifestyle that I'd like to maintain.
I have a place in Chicago and I get there as much as I can... The city is so unbelievably beautiful. It's one of the greatest cities on the planet. My heart beats differently when I'm in Chicago. It slows down and I feel more at ease.
I was in a play directed by my father, and I was doing a fight scene, and the choreography went haywire, and I flew backward over a chair and ripped my thumb all the way to my wrist and had to have surgery to sew up all the tendons in there.
In middle school, I played quarterback. I was at a tiny school, so you played offense and defense - I played linebacker, and in high school I stopped playing around my sophomore year because of my acting stuff.
I'm an old school actor in the sense. More and more now, I play myself as I get older. Even as a writer, I never got typecast. I've always bounced from project to project or initiated my own things.
I never prepare. I think that's completely overrated. It's a very simple job. All you have to do is hit this bright mark, stand in the right spot and say the line. So I don't really believe in preparation.
I becan acting when River was doing this TV series and they needed two kids for the show, so they got me and my little sister, Summer, to do it. After that I did some really weird guest spots with orangutans and stuff.
I feel like everything you learn as an actor growing up is wrong. You're supposed to hit your mark, find your light and know your lines. Those are all things that just make things wooden, dull and boring.
I mean, I don't like sitting at a table with seven or eight people asking me questions and kind of listening to what I'm doing - scrutinizing my thoughts and things like that. I just don't like it. I can't understand how anyone would.
Scorsese and De Niro taught me to bring out the natural side of myself. And they taught me to think of myself as the average guy. Sometimes the average guy belongs in a role more than your matinee idol-type of person. We have to have people we can re...
Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.
