I think I have enough of a sense to know what works for me and what doesn't, without going into some big thing and analyzing what I do. I'm in a position that allows me to do what I want to do, and I do it.
I started off singing when I was little. My parents have said I was singing at 3 years old. So I think it was just something I probably came into this world wanting to do and knowing I was going to do.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
You can't compete with hip-hop. That doesn't mean I don't want to be as big as a rap star. I do - I'm always competitive. But there's this weird perception of me as someone who's sitting around plotting like a devil. It's not like that.
'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a littl...
I found myself drawn to the remote Kimberley region of Australia - in the far Northwest corner of the country - our last frontier. I still can't explain why. I kept coming back over many years and started shooting material.
It's very easy to get excited about a job, but it's a big commitment because you do it and then you have to live with it when it's finished. It's forever in your section in the video store. It's you. It's almost like deciding who you have a child wit...
In my view, the adults are the burnt generation of Iraq for whom nothing can be done. But for the children, we can worry now, we can talk about them, we can plan for them, we can get our protest heard by others.
I often ask myself, 'Why is it that most of the lies come out of Islamic countries, and why is it that most of the social corruptions are in the Middle East and in these Islamic countries?' The answer is, when you control something, when you suppress...
Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.
I was a grunt, walking around in the jungle of Vietnam, trying not to find the enemy. Because I am so big, they were going to give me either a heavy radio or a huge machine gun to carry. I carried a radio.
I think it was a possibility, I think we're all kind of delusional like that, we think that we can all carry on being who we are without bending ourselves to make ourselves acceptable and expect someone to come along and see to us and rescue to us.
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
I'm going through a divorce now. This is the second one, and like baseball, I'm not gonna get three strikes. I've been living by myself for five years and I'm very comfortable. I can play my guitar when I want to.
I thought I couldn't afford to take her out and smoke as well. So I gave up cigarettes. Then I took her out and one day I looked at her and thought: 'Oh well,' and I went back to smoking again, and that was better.
There was an undercurrent of poverty throughout my childhood. We lived with my grandmother in her two-bedroom flat, and I slept with my parents. We had cheap holidays, I had to save for my bike and get a paper round as soon as I was old enough.
I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
