I was always the lead role in plays. I like entertaining people. I like when you're on stage doing crazy stuff and the audience gets it.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
Back when I was looking for my next step and was researching Gannett, I was interested in who was leading the various businesses within the organization: Are there a lot of women and minorities in important, operational roles, senior management and t...
Women feel a need for a certain level of prior training and experience that men do not necessarily demand in order to jump into a new role. There's a need for women to trust themselves more...
The role of leaders is not to get other people to follow them but to empower others to lead.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
I'm sure my agents would like me to play leading roles, and I guess I should, but I'm more interested in the character parts. They're more fun, challenging and interesting.
I try to stay consciously away from the roles of the girl who throws herself at the leading man, because I've done it a lot and I want to move on. I ticked that box.
But obviously you don't want to just be the guy who comes in and sort of spices up every movie. So yeah, definitely moving into more of a leading man role would be great, but on my own terms.
I admire Brad Pitt. He hasn't just done leading-man hunky roles; he's done a lot of edgier things. I like playing people with a dark side.
Leaders are not known by their positions; they are known by their roles in those position. You have many gifts as a leader, but your dominant gift is what you will use to lead.
Well, there's no doubt about the fact that, that higher energy prices lead to greater conservation, greater energy efficiency, and they also, of course, play a useful role on the supply side.
Before 'Austenland,' I got do a lead role in 'Northanger Abbey', which is Jane Austen. Growing up in England, you can't really ignore Jane Austen. It's always been there.
You know, I always got offered other stuff. Not the romantic leads, obviously. But very often it's a role that's underwritten, where the character has no personality at all. And they need a character actor who can fill it in.
I've been really lucky to have had a variety of roles, and I don't think I'm in danger of being typecast as the romantic lead. I think there's honour in working as constantly as you can. That isn't easy. And I'm no matinee idol.
I wasn't originally taking drama, but the drama teacher asked me to audition for Bye, Bye Birdie. I did and got the lead role. Initially I was kind of scared, but once I did it I got bitten by the bug and loved it.
Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'
You need supporting actors to help to tell the story. For me, I'm lucky to be a part of the films. Being an actor, I'll take any role, whether it's supporting or leading.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
My so-called 'reservations' and personal comfort zones can't define my work. That's not being professional. I feel that even if an actor is cast for the lead role or for any other part in the film, it is his job to do the film and not create an issue...
It was a part he felt himself feeling his way into, and the longer it went on, the more the men around him confirmed him in his role. It was as if they were willing him into being, as though there had to be a Big Fella, and, having desperate need of ...