But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way.
There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.
I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.
I played recorder in assembly, then I became passionate about the guitar, I don't know why. I started on electric then moved to acoustic - my brother was playing bass in the next room.
If T-Bone Walker had been a woman, I would have asked him to marry me. I'd never heard anything like that before: single-string blues played on an electric guitar.
Yeah. I'm amateurish. I can play enough to write a song, or strum on a little guitar to write out a song. But, I don't play well at all. I wouldn't even attempt for a second to play in public.
Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.
So, once I get writing I really try and put five to eight hours a day in my room with a guitar to really try and come up with stuff that feels interesting enough to me to keep it.
Maybe its a case of one guitar feeling a certain way to the hands that makes one subsequently move differently over the strings, but my intent is always to wring the maximum emotional resonance out of the object in hand.
Collaboration is much like a birth. The song that springs forth resembles each one of us to a degree, but it's the kind of thing that would never be born from just one of us sitting down with a guitar.
I most enjoy sitting down with the acoustic guitar and just fiddling around and trying to come up with something like a hook or some sort of melodic line. That's something that I do habitually.
You can batter your guitar, and it won't distort too much, which is important for me because I play with my hands a lot - I don't really play with picks.
But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.
I don't let the children watch TV on weeknights. They practice playing musical instruments instead. Both my sons play piano, drums and guitar, so my husband and I listen to them in the evening.
I'm seeing and hearing lots of B to B instruments, and everybody isn't, you know, using them... a lot of these guys are trying to do it on conventional guitars, although that has its own sound, and maybe its okay.
I taught myself how to play the guitar, I taught myself how to play the drums, and I kind of fake doing both of them. But drumming comes more natural to me, and it just feels better.
My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.
I like jazz, but I could never play it. You just sit there with a guitar the size of a Chevy on your chest, wearing a stupid hat, playing the same solo for an hour.
The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.
